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Sometimes I'm not, but I I really have to focus on that every week.
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So that's like a technical thing.
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But I think the bigger picture is, and it comes back to a lot of the spirit of improv where you have to trust the process and just be okay with what's going to happen.
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I do get a lot of stuff that comes at me, and some are definitely some challenges that in all of the different areas of business.
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I have to kind of ask myself, okay, is this urgent?
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Is somebody in trouble?
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Um, can we sleep on this?
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Can like a good meal and some water, maybe a class of wine and like a good night's rest let me make a better decision tomorrow?
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Or is there actually something really urgent?
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Like the building's on fire or this human is on fire, and we need to address this.
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Whenever I can take a step back and realize it's gonna be okay if we wait until tomorrow to deal with this.
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And it's not about putting it off, it's just about letting it giving it a minute to breathe, which is also something that, you know, in improv, we always tell people you don't have to be saying words, words, words.
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Welcome to another edition of the For the Love of Creatives podcast.
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I am your Connections and Community Guy host Dwight, and on the line with me today is our other Connections and Community Guy host, Maddox.
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And today we are joined by the amazing Amanda Austin.
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Hello.
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Hi, I'm so glad to be here.
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Amanda.
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Thank you.
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What a treat.
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We we're so glad that you could uh could uh grace us with your presence.
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Um you have done a number of amazing and wonderful and funny and fun things.
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Uh, but uh I would love for you to tell our audience just a little bit about who you are and what you're about.
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Sure.
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And and how you guys met, how you guys know each other.
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We'd love to share how we came about being together for this.
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I think that's the most important part is how we met because it's one of the things that inspires a lot of what I do and what you all do.
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Uh Dwight and I are in the Business Council for the Arts Leadership Arts Institute cohort for 25-26, say that three times fast.
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Um, so we are in this cohort together where we are learning more about our arts community here in DFW and also working on projects that are smaller within the group to help um other nonprofits there uh grow their business side of uh the arts, which can sometimes be tricky.
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So we're getting to tour lots of different places, learn lots of things, meet each other, and that's how we know each other.
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So we kicked that off in September, I believe, or August.
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Yeah, August, September, and then we will wrap up in May.
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So that's how we know each other.
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And I was very drawn to that program and had been for several years, and now I just had more of the bandwidth to take it on because I've spent most of my life involved in the arts, one way or the other.
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Um, most recently I owned the Dallas Comedy House for uh just under 12 years.
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We closed during COVID because a fun thing about business is that you have to be open to make money, and uh that is one of the driving forces of staying uh open.
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And so we had just done uh quite an expansive remodel on a location, and so I shut that down uh for uh because of COVID during uh 2020.
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But that was kind of my most recent uh foray into the arts.
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And um I love live theater, I love comedy.
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Um, now I actually take those tenets of improvisation and collaboration, as well as um some of my education, and teach companies how to work together collaboratively and not competitively, and how to be innovative and all while having fun, because I do believe laughter is an incredible tool for bringing people together.
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And nobody wants to go to some kind of corporate training workshop that's boring and they're not gonna remember it.
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So I try to make it valuable and fun.
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And that's what I spend the bulk of my time doing.
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I'm also a realtor, which sounds like it's not creative at all, but I can tell you you can get really creative when you're putting together contracts for real estate.
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Uh, and that's what I um I do, and I teach also at SMU.
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I teach a class at the business school.
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So that's that's who I am and what I do now.
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I grew up in dance.
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So actually, my first love was in dance and danced competitively all growing up and did theater as well.
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So I've never been able to get out of the performing arts.
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Um, it just I'm so drawn to it, and I do I do believe there's such a like a great place for it in the world.
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So yeah, that's my short bio.
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Um, you can ask me what my favorite color is or my astrological sign or anything else.
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It's fine, it's all fair game.
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It it's very diverse.
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It is.
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It's all over the map.
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I love that.
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It is all over the map, and I sometimes would struggle with the fact that it was all over the map because I thought that that could be confusing to people.
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And now I just lean in because these are the things that I'm interested in, and I pursue them and I try to deliver the best work I can when I'm doing it and also have fun.
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And that's a beautiful thing.
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I I'm a firm believer in that you have to just embrace what it is that you really you're really into, like what really fills your heart.
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Yeah.
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Because otherwise, you know, you you're just going to uh follow the same boring drab script that everyone expects.
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And yeah, that is just uh no, life's too short.
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Life's too short to.
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I mean, you've got to do some of the boring stuff.
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Do we we all need to probably clean our house every once in a while, do some laundry, pay our taxes.
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Um, other than that, though, like we can have fun, like there's no reason why we can't be having more fun.
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My my new mantra is to focus on what brings me joy, people, activities, places.
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Yeah.
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Yeah.
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We we I love it.
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And it doesn't have to be big things that can bring you joy, it can be very little things.
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I was just talking to somebody about this.
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I love to travel a lot.
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And they're like, what's your most like fun adventure recently?
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And it wasn't a bit, I mean, I've had some really fun trips, but I was in my hometown a few weeks ago for a funeral, and I was with my best friend, and we pulled over, it was on a Thursday night, into the parking lot of the Broadway Square Mall in Tyler, Texas, because they had a pop-up carnival and we were in funeral clothes, and we just like got out, parked the car, bought tickets, and just hopped on a bunch of rides.
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And to me, like that's really I mean, we just did, I mean, I was in high heels and found some sneakers in the car.
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She's wearing a dress.
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I mean, we are not dressed to go to a mall parking lot carnival.
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But to me, like those fun, like joyful adventures are actually what it's all about.
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Well, yeah.
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I mean, they were scary as hell.
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Let me tell you something.
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Those rides were hanging on by a thread.
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There was a 16-year-old controlling it saying, You're gonna be fine.
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But we did it and we had the videos to prove it, and we made it out.
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But you know, it's fun.
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Like it's might as well.
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Love that.
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So I I'm really curious what it's like going into spaces where you are introducing people to uh just the concept of embracing what it is to be real, to be a full, complete person, where they're um maybe used to following uh something safe and standard and just you know generally trying to stay in their lane and not uh not upset people.
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Oh wow.
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That's a great question.
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You know, you usually see uh two different types of people in those rooms, the people that are they've they've been wanting to try something new and they've been wanting to get outside of their comfort zone, and then they see this as an actual opportunity, or they're at work and they're being paid and told or voluntold to be there, and they're just like so excited, and then they they go in and they are all in.
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Then there's also this group of people, let me put my coffee down because I did the little reenactment, and they're sitting in the back of the room with their arms shrugged, or they're on their phone and they're not paying attention at all because they either think I'm too good for this.
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I also think sometimes they're terrified of it because people get people get really nervous if they think they're gonna be to crush something.
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Like they want to be able to do something really well.
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And the thought of doing something where you have to be present in the moment, there is no script, can be quite terrifying to people.
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So um, that's always my goal is to win those people over.
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And if I don't, it's fine, but I would vote that it's more terrified than the other.
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It probably is.
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Yeah, it really is.
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And like even, you know, you all were talking about hey, we don't have a plan for the I mean, you have a plan for the podcast, but you don't have a list of 27 questions that you have to get through with every guest.
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And that can sound terrifying to people.
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Then I would just argue, like, what's the worst that's gonna happen?
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Or alternatively, what's the best that could happen?
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Yeah.
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I mean, the best that can happen is that we have a hell of a lot of fun during this time together and we learn more, and that's it.
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That's the best that can happen.
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You know, Amanda, it's interesting that you say that because we have we've completed something like oh low 50s now conversations for this podcast.
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Episode number 51 drops this coming Monday.
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Okay.
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And there has only been one person that agreed to be on the podcast and then reached out in advance wanting to know if I could send them all of the questions.
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And I said no.
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That would uh kill the whole spirit of the podcast.
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First of all, I don't have any questions formulated, and I won't have questions formulated.
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But second of all, if I sent them to you and you worked out all these answers, now it's just a scripted who wants to listen to that?
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No, that no you know, there's probably a time and space for that, but not for this.
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Not for not for the entire purpose of this podcast.
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Right.
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The spontaneity is what makes this special.
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You know, you don't know you're gonna get asked that question, then all of a sudden you're really drilling down and thinking, or the the spontaneous stuff that comes out of people's mouths.
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Oh my gosh.
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I don't remember.
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I can't imagine.
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Well, I'm glad that you didn't send me any questions.
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I didn't even look, I actually didn't even look for any questions.
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I would prefer for there to not be any, um, and let's just roll with it and see what happens.
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Yeah, well, along those lines, uh a burning question for me with someone as uh multifaceted as as you are and having to uh have to pivot so many times and just deal with what comes.
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What is it that you've had to lean into in order to be prepared for each next challenge?
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Well, a couple of things.
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I'll say what's coming to mind now, and then there might be something that comes to mind in uh uh you know a few more minutes.
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Yeah tactically speaking, you gotta be really good at your calendar.
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Like you have to know, you have to, and I have a couple of calendars, and so I've had to merge them all.
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And that sounds so silly.
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If you are juggling a lot of different things and have, you know, what's some I guess call like a portfolio career, you gotta know who you gotta be talking to, where you gotta be, what you know, you you've gotta know.
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And so I have to be really good with my calendar, and sometimes I'm not, but I I really have to focus on that every week.
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So that's like a technical thing.
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But I think the bigger picture is, and it comes back to a lot of the spirit of improv where you have to trust the process and just be okay with what's gonna happen.
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I do get a lot of stuff that comes at me, and some are definitely some challenges that in all of the different areas of business, I have to kind of ask myself, okay, is this urgent?
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Is somebody in trouble?
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Um, can we sleep on this?
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Can like a good meal and some water, maybe a class of wine and like a good night's rest let me make a better decision tomorrow?
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Or is there actually something really urgent?
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Like the building's on fire or this human is on fire, and we need to address this.
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Whenever I can take a step back and realize it's gonna be okay if we wait until tomorrow to deal with this.
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And it's not about putting it off.
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It's just about letting it, giving it a minute to breathe, which is also something that, you know, in improv, we always tell people you don't have to be saying words, words, words, words, words the entire time in an improv show.
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There can be a little bit of time to breathe.
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So I've tried to, you know, remember that and also ask myself, what's the worst that's gonna happen?
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Am I gonna remember this in two weeks, two months, two years, 20 years?
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And when you look at that over like the span of your lifetime, some of the big challenges that come your way can shape you forever.
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And then some of them you will completely forget about next week and be like, oh dang, I didn't I forgot that even happened.
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So you're you're describing the difference between urgency and importance.
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Yeah.
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And you have to know, and you you have to know, and you have to be able to like silo it out and be okay with it.
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Um because there's really not, I mean, I used to say this a lot when I'm in the comedy club, like we're not we're not curing cancer, right?
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Or we're not ER surgeons.
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So unless the the comedy emergencies that would come up were typically something with the facility, the alarm has gone off, you know, or there was an issue.
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I mean, those are those are things that need to be addressed right now.
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Other than that, I think we're gonna be okay.
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There you go.
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Yeah, it's I think that people need to have their um perspective reset sometimes.
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Um I've part of my past involves working for a facility that's not on many maps.
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And some of the things that we had to deal with um could have well, the mission had to do with being prepared in the event of a nuclear exchange.
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So I I know what an emergency is.
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And yours is very different.
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Yeah.
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Uh if somebody tells a really bad dick joke, that's not an emergency.
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That's just sad for them, you know.
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Exactly.
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We'll get we'll we'll get through it.
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So I have an idea, something that we've never done on the podcast before because this never presented itself.
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Okay.
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But I'm wondering if you would be uh for if I just spat it off a topic and punched a timer, could you riff on that topic for one minute?
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Could you give us a little improv?
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Well, I could, yes.
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Improv is better uh shared with people.
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Ooh.
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So I would um say it would be really fun if we all did it together.
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Because otherwise, I would just be kind of doing a monologue, which would be fine.
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I think it would be finer if the two of you joined me and we just did a little improv scene.
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I don't know.
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I'm feeling that terror right now.
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Challenge accepted.
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Okay, okay.
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I mean, that's what we talked about at the beginning.
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And I'm sitting here going, oh shit.
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Okay, but here's the thing beginner's luck, first of all.
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Also, remember the people we talked about that were in the back of the room that were terrified.
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Guess what?
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I haven't lost anybody once in an improv workshop, and I've done it for 20 years.
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So, um, and you're sitting there in the comfort of a place that you know well.
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So Dwight's like, yeah, let's do it.
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Yes.
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Okay, well, we probably need a little more than a minute than if we do, we do.
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What we could do is think about we could just do a little improv scene together.
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Why not?
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Okay.
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I mean, remember that if if you don't know the rule in improv, the number one rule in improv is yes and.
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And yes means I've heard what you have to say, and and means I'm gonna build on it.
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So you don't have to agree with whatever is being thrown out, but um, we just have to build, just be okay with it.
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It's uh it's all right that it's and somebody has an idea, it's not gonna hurt anybody.
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So we could just to make it a little bit more narrowed down, give ourselves a scenario that we're in, and then we can play these actors that are in this scenario, you know?
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We will follow your lead.
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Okay.
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Then I'm gonna ask for a suggestion here.
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Um, I haven't done improv virtually, and it's been probably a year since I've done improv virtually, so this is gonna be really fun.
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Okay.
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How about um a reason that three people might be celebrating something?
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What's a reason that we could be celebrating something?
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It could be a a marriage, a divorce, a birthday, um.
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A brisk.
00:17:52.779 --> 00:17:54.700
Okay, we're celebrating a brisk.
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All right.
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Okay.
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I don't even know what a brisk is.
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Well, we could okay, so we can do a couple things here with this.
00:18:01.019 --> 00:18:11.820
You can not know what a brisk is, and we can just go with it, and just whatever you say is gonna work, and it's gonna be really fun, um, which is what I would prefer.
00:18:13.100 --> 00:18:13.420
Okay.
00:18:13.900 --> 00:18:14.220
Okay.
00:18:14.460 --> 00:18:20.940
I would prefer that you don't know and that we just go with it, and that we're all at this brisk.
00:18:24.860 --> 00:18:27.740
This is what happens when you pitch an idea and I turn it back on you.
00:18:27.900 --> 00:18:28.220
Yep.
00:18:28.300 --> 00:18:28.940
I see that.
00:18:31.019 --> 00:18:35.660
I get tongue-tied, so don't be surprised if I just sit here with this dumb look on my face.
00:18:36.140 --> 00:18:36.460
Totally fine.
00:18:36.540 --> 00:18:37.340
All right, you want to start?
00:18:37.420 --> 00:18:37.820
Let's do it.
00:18:37.900 --> 00:18:40.860
And then whenever it feels like it's coming to an end, I'll just call scene.
00:18:41.019 --> 00:18:41.500
How does that sound?
00:18:41.660 --> 00:18:42.380
I'll say and scene.
00:18:42.779 --> 00:18:43.180
All right.
00:18:43.420 --> 00:18:44.860
You guys, thank you so much for coming.
00:18:45.019 --> 00:18:50.860
I know this is so last minute, and I know like carpool and just getting everybody and the kids and the family here.
00:18:50.940 --> 00:18:53.180
I just really appreciate you being here.
00:18:54.060 --> 00:18:56.779
Oh, well, we quit wouldn't miss it for the world.