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And what I've found is the one mistake I made in the very beginning was not promoting myself.
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You know I put my art out there and you know I'm like.
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Well, if they like it, you know I'm going to get a response.
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And what I've found through some of the professional training I've had and some of the other experiences I've had, is that people really want to be able to connect with the artist and know who that artist is.
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Thank you for saying that and calling that out.
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Hello, you're listening to For the Love of Creatives podcast.
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I'm Maddox, I'm here with co-host Dwight and our guest today is Kevin Whitehurst.
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Welcome, kevin, thank you.
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I thank you for having me I'm glad with co-host Dwight, and our guest today is Kevin Whitehurst.
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Welcome, kevin, thank you.
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Thank you for having me, I'm glad to be here, we're glad to have you.
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So, just so the listeners know, we met you at a recent Creative Mornings and had a lovely conversation, and then Kevin invited us to an art opening that we had.
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So we've gotten a little bit of chance to get acquainted.
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But today we're going to go deeper.
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Kevin, tell the audience a little bit about yourself.
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Hi, I'm Kevin Whitehurst and I'm the creator and owner of Arthealthnutcom.
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So I'm an entrepreneur, I'm an artist, I'm a writer, and I have a long history of how I got to where I am today.
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I had a career in healthcare technology for over 33 years, and that career ended a couple of years ago.
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I made a conscious decision that I wanted to pursue my passion, and so my passion is painting.
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I do oil paintings and I have been a painter all of my adult life that I can remember, and never did anything professionally with it, and so the opportunity presented itself for me to do something, and, rather than retiring and, you know, just kicking back, I wanted to do something fun and something I have a lot of passion about and something that I could give back.
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So I do oil paintings and I also do some creative writing.
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Well, and for those of you that are.
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Oh, go ahead, Dwight, I'm sorry.
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I was just going to ask how were you introduced to oil painting?
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Oh, it's an interesting story.
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I've been asked that before, dwight.
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So I love art.
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I'm a person that loves art.
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When I was in my 20s if you can imagine loving art and not having any money to buy it I used to look at art and I would say, oh, I can paint that.
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Maybe I'll just create my own art for my home, because I like a home filled with art and all of that.
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So it was really self-motivated.
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I am a self-taught painter.
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I have since, over the years, taken art classes and things like that, but I'm pretty much self-taught, and so oil was the first medium that I bought.
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So oil was the first medium that I bought and I absolutely love oil because it allows me to blend colors and things like that.
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So I've tried acrylic and I do work with acrylic a little bit, and I've worked a little bit with watercolors, but my preference is oil, no-transcript.
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So yeah, that's how it actually started.
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I started painting abstract art.
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Color is the big thing for me.
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So you know when I would look at my apartment at that time and what colors I want and what sort of style I want, and I would just start creating and of course, it was hit or miss in the beginning, um, but um, I was really obsessed with it um for for a very long time when I first started.
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So I I stick, you know, I stuck with it Um after there's sometimes, you know, I went through spells where I didn't paint.
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I would go a full year and not paint at all, but I always went back to it.
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Found your way home.
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Yes.
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Well, for the listeners that are watching this on YouTube, those are his paintings in the background.
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Yes, your work is very unique, very unique and very interesting.
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Yeah, they are by design, introspective and thought-provoking.
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The Art Health Nut.
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If you don't mind, I can tell you about that name.
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What's my next question?
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So go for it.
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So everyone has heard of a health nut, and a health nut is a person obsessed with health, and you typically would see someone obsessed with nutrition or obsessed with working out and things like that.
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So, adding art to that, you're just obsessed with all forms of art.
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So I felt that described me best.
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I'm obsessed with art, all forms of art, so it's not just, you know, paintings, it's music, it's food, it's fashion, it's all of those things.
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And to me that's what an art health nut is, is someone who's just obsessed with all of these art forms.
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And so art health nut was, you know, sort of created from that.
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It's really a description of my personality, you know, and the type of person I am.
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The health component I wanted to stay with health because that has been my career, all of my, you know, the last 33 years I worked in healthcare and I have, like this, utmost respect for caregivers, like nurses and you know nurse practitioners and doctors and therapists.
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I've worked with all those types of people and they're wonderful people and I absolutely love that community.
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And so you sort of marry that with art and that's really the concept behind it.
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Now, it's really art for people, it's really for people who have a strong mind.
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Some people get it wrong when they see Art Health Nut and they think, oh, this is art, this is healing art.
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And for Penn it's like no, no, no, this is actually art for people that actually have a pretty healthy brain.
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They feel pretty good about where they are in their life.
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They feel they're strong minded, they feel good, they're optimistic.
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That's who I paint for.
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Hmm, I love that because I was one of the people that was thinking that it had to do with you know, painting your emotions out on a canvas and and working through you know it's kind of a bonus it's almost like a visual journal, maybe.
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It can be.
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I mean I feel like it's a bonus.
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I mean I definitely love the fact that, you know it has that effect on on some people, you know, and when I paint the art, I'm a pretty strong, you know, strong-willed person, you know.
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So when I'm talking about, let's say, critical thinking, so I have a painting called the Fascinating Score and it is, I mean, you know, he's at the free throw line with the basketball, but the basketball is the globe, it's the world, ok, and the concept behind that is, you know, opportunities only come, you know, once in a while.
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Here's your opportunity to actually make things happen.
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To actually make things happen and so by making the right decisions and being able to do that.
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That's kind of the message behind that.
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And then it was a great decision and it was a fascinating score.
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So that's one example of kind of the mindset behind some of the artwork.
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And we enjoyed getting to walk through the collection and see several.
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There were several themes of seeing I don't know some metaphors come to life and just being able to see the characters.
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I enjoyed the descriptions that kind of gave color to what it was that we were seeing.
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And you know, maddox, you're absolutely right, they're all very emotionally driven.
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You know most of my art Because I'm an emotional person and you know that's reflected in my art because I'm an emotional person and, um, they, you know that's reflected in my art, um, and I think it helps people that, uh, you know people who, uh, have bought my art and and love my art, they, they, they all tell me the same thing.
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It just makes them feel really, really, really good, you know, about themselves.
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So I would say there is a lot of symbolism in your art.
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Yeah, you really absorb the piece and look at it in the smaller aspects, you know there's like a main character, like a face, but then if you begin to look at the smaller details, there's all this symbolism that I know has meaning to it.
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You know, look at the smaller details, there's all this symbolism that I know has meaning to it.
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You know, and, as you said earlier, because you know those symbols have meaning to them and I may not know what they mean, it is very thought provoking.
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Definitely thought provoking.
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Not one piece could you have in your house without someone questioning oh, this is interesting, let's, let's take a look.
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Tell me about this.
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You know, and I love talking about it.
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It's, it's, it's just a wonderful thing to be able to express myself in that way, and I always love the stories that people make up when they look at your art or you know, or my art, you know, they, they, they see all these things that I didn't paint in there, you know, but it's fascinating to me that what people will draw out of it that may or may not be there, Maddox, that is the most fascinating part of this whole experience is, and that's why I have those launch parties right.
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So when someone sees the art and what they see in it, it's always something I never would have imagined.
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You know that other people see and I think that's the beauty of art.
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You look at art and you can see things and and you know it's just a wonderful thing.
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You know you saying that makes me want to question you a little bit further about the launch, because we know that many of our viewers are fellow artists or other forms of creatives and you have a rather unique thing that you do with this launch.
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That's well, to be real honest, it's maybe the first time I've seen anything quite like it.
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We attend a lot of art things, but the way you approach this, the way you approached us the invitation, the way you approached us the invitation, I would love for you to kind of share kind of a breakdown of that, because this might be something that could open up doors for other artists to show their art, because sometimes it's not really easy to get representation in a gallery.
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Oh, absolutely, and I'm a very independent person and a self-driven person and you know, sometimes, when things aren't available to you, for example, you know, if so, my art isn't in the galleries yet.
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But I have a home and I have a gallery at my home.
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So I will invite friends, colleagues, art buyers, everyone to my home and I set up, you know, as you can see, the ground level as a gallery.
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But the thing about the launch party is, as an artist, you know we work really, really hard on our work.
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You know we're painting, you know, sometimes, you know, it's several weeks, it could be months, where I'm working on these paintings and you really need a boost right when you're ready to show this art.
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And I always like to do collections because that's just how I'm wired.
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I don't feel I could convey what I'm feeling in just one painting.
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So there's more than likely gonna be 10, you know, 10 or 12.
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But having an audience that is intimate, that are comfortable, you're in your own environment, they're there, you can talk to them, you can, you know, have conversations about the art, you can really express yourself in a very open way about why you painted it and what it really means.
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You can have fun by listening to other people and what they see in the art.
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You know that's always intriguing.
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And then there are also things that you learn about the painting that you think twice about.
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You know what someone may see or may think about it and you're thinking, oh, I definitely did not want that message to get out, that's not what it meant, you know.
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So that happens from time to time.
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But I like the intimacy.
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But remember, I'm an art health.
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I love to cook, so I cooked all the food.
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And so again I wanted you to cook.
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I love.
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They were like you cooked all this food.
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Why did you, why didn't you have a catering line?
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Cause I love to cook.
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I cooked the food.
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I baked all the cakes.
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I had five cakes.
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You know that I baked from scratch.
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I didn't get really, really into my music because I think, like things just happened so fast at the party and I couldn't quite get into my music side of it.
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But that's all fine, so it was a blast.
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I hope that answered your question.
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Oh yeah, no, no Great, I've got more questions, but I want to draw a little bit of a visual for the listener, because you said the first level of my home is the gallery and, just to be clear, it looked like a dining room and a kitchen and a living room.
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It was fully furnished, it was lovely, it was very comfortable.
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So it built in this warmth that galleries don't have.
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You know, galleries are very stark.
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When you go into them, there's usually zero furniture.
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It's a concrete floor, the walls are all white, it's very bright spotlights and although you did have some spotlights around the room, but there was art on every wall on the first floor there was probably, I would say, way more than 10 or 12 pieces.
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I thought I had about 30 pieces displayed.
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Yes, yes, yes, yes.
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But you know, when you throw in the combination of your, it was your living room, in your dining room, and you cooked all the food.
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And I also want to say that the day we met him at creative mornings, he walked up to us and he invited us and he pulled an envelope out of his pocket and handed it to us and it was a personal invitation.
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He does not put this out on social media, it's not open to the public, it is by invitation only and he handpicks the people that he wants to come to this, which is what we do when we host events.
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Come to this, which is what we do when we host events.
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We curate the guest list because, well, I mean obvious reasons, you know obvious reasons, and it made for just a very unique experience, a very wonderful evening, and you know, I think, that everybody that was there had an interest in art.
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Everyone had an interest in art and it was good.
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And another thing for the listeners out there I sold six paintings that night from that party, six original, wow.
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So I mean it's definitely worth it and I didn't have to go through.
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You know what I mean.
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Another channel right to sell my art and show my art.
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Well, you cut out the middleman telling me that what I'm doing, go with my intuition right, go with my instincts.
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My journey has been quite a challenge as an artist.
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If you can imagine being a businessman for technology for 33 years and at an executive level, like what my life was like then versus now.
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You know, I used to spend my time in meetings, strategic planning and meeting with clients and conventions and things like that.
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Now I'm cleaning paintbrushes, you know, I'm going through digital images of my art and looking for backgrounds to, you know, present it and all of those different things.
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So it's a completely different world.
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But what I struggled with was the whole promotion side of it, the marketing side of it.
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I cannot tell you how many zeros that I've had to deal with in paying people money who don't listen and who don't listen to you know what your vision is Right, and so they're sort of promoting me.
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They were like promoting me and I was like, well, that's really not me, you know, and you're paying people thousands of dollars to help you with social media.
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I didn't have experience with that, so I paid someone to help me with that multiple times and it was like, okay, I don't want to get on a roll here, but it has not been easy and what I have found?
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I always revert back to my intuition and do what feels right for me and it seems to work.
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So I'm definitely not conventional right for me and it seems to work.
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So I'm definitely not conventional.
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Well, I think you know you sold six paintings.
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It worked really well because in my recent research I've learned that most galleries get a 50% cut of every piece of your art that they sell.
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They do Now?
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I mean, granted, you put a lot of time and energy and money into serving like a big spread of food, but I'm pretty sure it wasn't equal to 50% of the take.
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The cooking thing was a piece of cake, man.
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And you love to do that anyway, so that wasn't like Love to do it.
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Yeah, what gallery are you you gonna go to where you get cream cheese, pound cake and coconut cake?
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exactly only yours only yours.
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You know, um, kevin, what?
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What wisdom would you have for somebody?
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Because we know that there's only a small percentage of artists that get into a gallery.
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That's not easy to do, and everybody else is left trying to peddle their art in whatever way that they can.
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What words of wisdom would you have for artists that are maybe challenged or struggling the way you've described that?
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You have struggled or been challenged.
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Well, hopefully I have some words of wisdom.
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I mean, I'm just wired to not give up.
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You know, if I believe in something, I'm going to stick to it.
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So perseverance is really important for an artist.
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But what I've learned?
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So I'm still learning, right, it's two years in this journey for me.
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As you know, an artist in business beginning was not promoting myself.
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You know, I put my art out there and you know I'm like well, if they like it, you know I'm going to get a response.
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And what I've found through some of the professional training I've had and some of the other experiences I've had, is that people really want to be able to connect with the artists and know who that artist is.
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Thank you for saying that and calling that out.
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Yes, it's very important and it's I'm getting there.
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Like me, being on this podcast is, you know, definitely a big leap for me To just talk about me and and I thank you guys so much for having me on here because I'm getting more comfortable with it.
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But you have to.
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People need to know that.
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You know the person that that painted the art, what it means, why are they painting it?
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And so I'm learning things like that.
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So now I'm kind of on this role here where I'm doing more to get people to know me, okay, and as well as the art.
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You know, I've come to realize just recently it's come to me that people that buy art art collectors, they're not really buying your art, they're buying you and the art comes along with it with the deal.
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You know, I really do believe that we see so many artists that are putting their art out all over social media, artists that are putting their art out all over social media while they're hidden in the shadows.
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They don't put themselves out on social media, they put their art out on social media.
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And I think that it's not an either or it's an, and Social media is tricky in my opinion and, of course, you know, I admittedly am sort of old school in that sense.
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In my opinion, you know, because you want to interact with people, you want people to know you, you want people to like you and you want to show appreciation for people who have, like, good content.
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You know, one of the things I love about it is, you know, as an art health nut, like I follow all of these DJs and these music producers and then these you know unknown singers and people like that.
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I absolutely love all of that, you know.
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And then these people who are, you know, professionally trained to talk about, you know, well-being and things like that.
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I follow a lot of people like that and love those people.
00:25:10.127 --> 00:25:32.861
What I do not like about it are people who just have an opinion and it's, you know, to a point where, if you don't agree with them you know what I mean it's just a unnatural way to interact with people.
00:25:32.861 --> 00:25:42.060
If you're gonna just, you know, disagree with someone, uh, and you want to fight with them through comments or whatever, to me that's noise.
00:25:42.060 --> 00:25:47.461
To me that's a complete waste of time, uh, for me, because it's gonna ruin my day.
00:25:47.461 --> 00:25:52.054
Like I want to go in my studio and paint, you know, and I want to paint something positive.
00:25:52.054 --> 00:25:55.358
I don't want to go in my studio and paint, you know, and I want to paint something positive.
00:25:55.358 --> 00:25:56.840
I don't want to, you know.
00:25:56.840 --> 00:26:00.526
Respond to someone who had this, you know, weird experience that you know.
00:26:02.213 --> 00:26:04.568
I don't respond to comments like that.
00:26:04.568 --> 00:26:07.196
Right, I don't give it any oxygen at all.
00:26:07.970 --> 00:26:10.010
But I absolutely love the social media.
00:26:10.010 --> 00:26:32.207
I'm telling you, my music playlists have improved tenfold since I got on social media because I get to hear music you know what I mean that I absolutely love from these DJs, these producers, these, you know, and all age groups too, and then all over the world too.
00:26:32.207 --> 00:26:34.272
It's not just like in the United States.
00:26:34.272 --> 00:26:39.349
I'm following people in South Africa, people in France and different places like that.
00:26:39.349 --> 00:26:44.075
So it's a wonderful thing.
00:26:44.075 --> 00:26:44.775
I love that.
00:26:45.476 --> 00:26:55.025
You know, another thing that I noticed about you that I really appreciated was you have printed collateral.
00:26:55.025 --> 00:27:06.976
When we entered your home that night, you had a table with brochures that you had created that showed your art and told a little bit about your background and your philosophy.
00:27:06.976 --> 00:27:13.718
And it's amazing to me how many places we're in where I'll say somebody do you have a business card?
00:27:13.718 --> 00:27:15.829
No, you can find me on Instagram.
00:27:15.829 --> 00:27:31.019
And they think that's all they have to do is just have an Instagram account, that the only way you can contact them is by messaging them on Instagram, and I just think that's short-sighted.
00:27:31.019 --> 00:27:31.840
I agree.
00:27:32.950 --> 00:27:33.972
I don't think that it's.
00:27:33.972 --> 00:27:48.859
I don't want to put it down and say it's bad, but I think that if you're giving people one way to connect with you and it's on social media, when not all people do social media, you have limited your audience considerably.
00:27:50.192 --> 00:27:52.231
Yeah, absolutely, and it's.
00:27:52.231 --> 00:27:54.159
There's so many channels, right.
00:27:54.159 --> 00:28:00.923
I mean, instagram would only be one of them, albeit a very important one for artists.
00:28:00.923 --> 00:28:06.321
My advice to artists now I have a technology background, so I embrace technology.
00:28:06.321 --> 00:28:27.721
When I look at my budget, you know, and all that I spend to run this business and everything I'm trying to do, I'm speaking to artists out there who don't have a budget or they don't have a lot of money to spend on promotion and other things.
00:28:28.643 --> 00:28:43.502
But these apps and the technology out there, right, that can create your, you know, your brochures for you, and all of these different things, they're not very expensive.
00:28:43.502 --> 00:28:45.053
I mean, it's very minimal.
00:28:45.053 --> 00:28:47.298
We're talking a few hundred bucks a year.
00:28:47.298 --> 00:28:48.520
You know what I mean.
00:28:48.520 --> 00:28:56.064
We're not talking like hundreds of dollars a month, you know, and it's worth using them and letting them do this.
00:28:56.064 --> 00:29:14.471
Now, I struggled in the beginning because, honestly, I have about 15 different apps on my phone just for when my art is done, and I've taken a picture of it and had it digitized, how I'm going to promote it and everything.
00:29:14.471 --> 00:29:16.356
I have like 15 different apps or whatever.
00:29:16.356 --> 00:29:21.355
But I'm telling you those apps are not expensive at all and they are worth it.
00:29:21.355 --> 00:29:22.738
It's like a tool.
00:29:22.738 --> 00:29:24.781
It's like a paintbrush right.
00:29:24.781 --> 00:29:38.039
So if you're going to go out and you're going to spend 12 bucks or 15 bucks or 20 bucks for paintbrushes or a paintbrush or whatever, well, I mean, you're not even going to spend that much for some of these apps.
00:29:38.642 --> 00:29:41.751
Well now, when you say apps, are you talking about social media?
00:29:41.751 --> 00:29:44.921
You're talking about platforms, where you sell your art.