WEBVTT
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When they are too close, they see all these imperfectionism and they judge themselves.
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What does that mean?
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Oh, when I I couldn't align that properly.
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I could because this shape is not a perfect cut diamond shape or perfect cut square.
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When I try to match them right here, it doesn't touch like perfectly.
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So I mean I think I messed up.
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But when they come back and see the big picture and that light, like that light is the magic.
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When it lit up, they are saying, Oh my gosh.
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I am trying to tell them, like, as part of my workshops, we are trying to teach you or experience you how you embrace imperfectionism.
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This is Dwight and Maddox coming into your ears for another edition of For the Love of Creatives podcast.
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I'd like to give a special shout out to our listeners in Frankfurt, Germany.
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And today, our featured guest is the wonderful Matt Yidget.
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Hey Matt, welcome to the podcast.
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Hey Dwight.
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Hey Maddox, thank you.
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We're so glad that you you could join us.
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Um I know that we've bumped into each other at events around town.
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And um I know that you uh I've known about your wonderful workshops where they're really just uh an opportunity for people to come together and to celebrate.
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Um but I think it's great for you to share with our audience a little bit about who you are and what you're about.
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Uh thank you for inviting me first of all.
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I appreciate all the time.
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Uh and this amazing I am so happy to be part of this amazing podcast here.
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Uh who am I?
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Uh my name is Matt Hidit.
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I am a mosaic artist uh by core, but I am in multiple different things too.
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Uh I am originally from Turkey and I moved here to States like uh more than 10 years ago or so.
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I have uh a math degree, nothing to do with art or creativity.
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I mean, kind of some sort, but always uh I learned this art when I was in Istanbul during my college years, so it was like stunning to me uh that mosaics, all these tiles and shapes.
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I think with the math background, it makes sense, uh, you would imagine.
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And this was always my passion.
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I just become, and now I am the founder and and CEO of uh a Mosaic Lamp Workshop Company.
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We are in Dallas, I'm based in Dallas, Texas, but we are in multiple cities nationwide right now.
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Matt is amazing.
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It sounds like quite a whirlwind.
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Uh I mean, just hitting the notes for for what you've described for just where you've been.
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I mean, to um learning in Istanbul.
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Yes.
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And uh everything that you're doing all over all over the country.
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Um entrepreneur.
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Tell me what go ahead.
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Um what is what is it that uh that drove you to um pick up and and go from something that uh it sounded like it was quite um traditional, like very uh mathematics to uh building these uh wonderful uh beautiful pieces of art and inspiring people to do the same.
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So what uh what is what's stunning to me with the with these lamps specifically?
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I am a mosaic artist multidisciplinary.
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Uh I can do like regular rock mosaics and and things, but but what these lamps uh brought to me specifically is uh so the colors with mixture of lightning, lights like that changes the whole thing.
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So this proves on our workshops too.
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So people make their lamps, I mean shapes, patterns, whatever colors they want to match, uh, whatever they want to use.
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And sometimes they ask me, like, what should I use?
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I I tell them, let me ask you, what do you want to use?
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Like, just go wild, whatever thing you want to use, go for it.
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And then they work on it like for about for about two hours or so, and they are like tiny, like small things, they are extremely closely, intricate detail of work that they are doing over there, and at the end they kind of have some kind of feeling like, oh, I think my lamp could have been better.
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I I don't think it is the thing that I want the wanted the most over there, but then the magic happens.
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What we do, we assemble their lamps and then hit that button, light it up.
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They are saying that we got this reaction all the time.
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Wow, I can I I even have a recording for this on my Instagram channels and YouTube, like every single workshop, same exact reaction.
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Wow, can you imagine that?
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Because when when we are extremely tiny, close to the things, and when we take ourselves out to see the big picture, and that light changes the whole environment over there.
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So I think when I see that first in Istanbul, like all these colors with the light, like it changes the whole thing.
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Like when you turn them off, oh they look they are still beautiful, whatever it is, it is what it is.
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But when they light up with a different pattern, different shape, different variations of uh patterns, like they like we can tell them.
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I mean, lamps look similar to each other, but they have all uniqueness uh in each other, like us human beings, basically.
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We have similar skin colors, we have similar like beard shapes, whatever.
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And then when we go into detail or when we light up the people, everybody has their own uniqueness over there.
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That's kind of what I believed in when I uh saw these lamps, this art form in Istanbul.
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And this is like uh generations of generations, like it's a pretty pretty ancient art form coming from Roman uh Empire, and then Byzantire, and then Ottoman Empire, then Turkey.
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So it's not just in Turkey, it's Morocco, Middle East, like all of these cultures are pretty much baked in into this art form, too.
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I have a question.
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Yes, please.
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You said something a minute ago that really sparked my curiosity.
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You talked about the detail and how people are working in very close to the lamp as they uh add the different colored stones to it.
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And sometimes you have to step back a little bit.
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And and I in that moment I thought, yes, you know, it it's true with painting as well.
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You know, you're in so close and you're doing fine detail and you can't really see what it looks like until you step back a few feet.
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I mean, think about if you were a mural painter, you know, where you're working and it's really big, you've got to step back more.
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But what came to me in that moment was, and tell me if this is part of it as well, because this what came up for me is it's it's it's on two different levels.
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You're physically stepping back to get a different perspective of it visually, but sometimes like metaphorically, when we step back, we're we're we're stepping back from our perception of it and we're giving it a rest for a few minutes, you know, or maybe even a day or two.
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Sometimes I walk away from a piece I've been working on and don't look at it for a few days and come back.
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And invariably, when I come back and look at it, I see it differently than I did when I was working on it.
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We're it is that in line with what you're talking about as well?
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100% in line.
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Let me tell let me even add on to that.
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I totally agree.
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This this is like art in different shapes or different media of art, basically.
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Like uh, I think mural example is an amazing uh example.
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You have a big uh wall over there, you are making a mural, and like you like you're on this tiny pixel of that mural, it doesn't look anything just like little blue color over there.
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But when you are done, you have the whole be beautiful artwork and picture over there, similarly, and even with ours, when they are too close, they see all these imperfectionism and they judge themselves.
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What does that mean?
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Oh, when I I couldn't align that properly, I could because this shape is not a perfect cut diamond shape or perfect cut square.
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When when I try to match them right here, it doesn't touch like perfectly.
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So I mean, I think I messed up.
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But when they come back and see the big picture and that light, like that light is the magic, when it lit up, they are saying, Oh my gosh, I am trying to tell them, like, as part of my workshops, we are trying to teach you or experience you how you embrace imperfectionism.
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So life is not always perfect, like cut lines, it's not not always math.
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Do you understand what I mean?
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We always practice this every single day, like we always embrace our imperfectionism, we move forward, we try to find some other solutions, and then go for it.
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So, I think our experience that we are providing as part of our workshops is the similar copycat of the life experience, life journey we have over there.
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So they they they don't know that.
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I understand, they don't know that, and when they see something challenging that they think they can't do it or whatever, or it's not perfectly aligned, but when I bring that uh journey to their attention, they then realize that oh now it makes sense.
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I am now more relieved, more stressed out over there.
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Now I can do better, and then now they start looking things differently.
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Oh, if it doesn't fit, just go with go with that.
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Again, like sometimes they even like jokes to me.
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Oh, I think I know this part is kind of kind of messy, so this is gonna be back of all my lamp.
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Okay, so solution is uh uh fine since it's a circular lamp, they can just turn that back uh to to their wall against their wall, and then they won't be able to see that part.
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But sometimes we wanna come back to that imperfectionism uh section and then turn your lamp back way, and then you will remember how you how that moment was that you think that's like challenging.
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I couldn't do it, it wasn't perfectly aligned, I kind of messed up.
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But then at the end of the day, when we when I pick uh look at the old big picture, I think I made something tangible, something good that I I did it the testing type of thing.
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Plus, imagine you we had a lot of uh customers, uh a lot of I won't say customers, I will say guests.
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So we have a lot of guests that they come and they make something and they gift it to someone else, they are mothers, they are sister-in-laws, they are wives, whatever.
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But so, do you think that the the person taking the gift is gonna think that oh this is so imperfection?
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Why you mess this section up?
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No, they will say that, oh my gosh, this is the best thing ever.
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Did you spend time making a lamp for me?
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This looks amazing.
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I I've been wanting to to see these years, but I didn't get a chance to buy.
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But you handmade this for me.
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This is extremely valuable for us.
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It's an it's amazing because as you describe that, I can't help but see how you have found the end.
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You found the way to bring something physical to people so that our our doing minds have something that we can focus on, and then you start to unpack all of those things that hold people back through the process.
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Like there is so much more than there being something consumable that's taken out of this hundred personality.
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You're you're touching on a big life lesson here because uh art is life and life is art, and you can't really sell uh separate the two.
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And when we can, whether it is our art or our life, when we can step back and not just be okay with, but actually look, seek the beauty in imperfection, it will change our art and it will change our life.
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100% not not not just be okay with it, but search for the imperfection.
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Exactly.
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And look for the beauty in that imperfection.
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Exactly.
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I can I can't even like I mean for me to explain this, you should come to my workshops and then you would like just sit, observe people, like okay.
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In two hours, I can teach them how to practice that.
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It's not just like, oh, get your stuff and do do these things.
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This is like paint with a paint and sit type of like class, just do that and take it home.
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It's not like this is not our experience that we are trying to uh promote and provide over there.
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So they got stressed out.
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I I couldn't do it, and they can't do, I mean, or like when I first start the workshop, I always like make this joke.
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I feel the stress on the air, and everybody laughs because they are stressful, because they are, and then I tell them, like, you don't know what to expect.
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I mean, some of you can't even think that I can even paint, I can even draw.
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How am I supposed to make a lamp like the looking like one of yours over there?
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And I always tell them at the end of the workshop, you won't believe your eyes, and we'll get reactions like, Oh, did I make this?
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Your lamp looks so cute, look so beautiful.
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Those reactions and feelings, and then when we have that reactions and feelings, I tell them, Do you remember what I told you in the beginning?
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Yes, you told us.
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Did you believe what I said?
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No, we did not believe you.
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Now, this is what happened.
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Oh my gosh, this is amazing.
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That's beautiful.
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You know, the the tone of your voice, your energy, and the look on your face so clearly demonstrates how much passion you have for not just the lamps and the mechanical aspect of it, but the way it transforms people.
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Yeah, yeah, appreciate that.
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And we we we all we all could use a little transformation.
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I did I I I didn't notice I didn't say need, but we we all can benefit from a little transformation from time to time.
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Thanks so much, appreciate that.
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So, like there is also, you know, I am also a business owner.
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Uh I have, I mean, I I did some corporate jobs.
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I I know the white uh is part of the corporate culture too.
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Yeah.
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And I was always I I also share share this part of life, life of myself too.
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Uh because I'm sure we have artists, we have creatives listening, and sometimes they are like hesitant to each to themselves.
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Like, should I take this leap?
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Should I take this action?
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Like, what happens?
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And I don't wanna like uh take bold action sometimes, but let me tell you also my journey on that part and how my passion become a like a nationwide uh business, uh pretty growing rapidly, fast, and how I can turn my passion into a real uh real deal, basically.
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I can say so.
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I had a corporate life, you know.
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In a corporate life, you are in a like a safe zone, basically.
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You you got you got big paychecks, uh, I got six sixty figure whatever payment, whatever, and then good life.
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They feel like you are valuable, uh valuable over there, and then that one day hits okay.
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That one day you have your manager in a meeting, in a zoom meeting, like this one, and there's another lady that you don't don't know, claiming to be HR person, and you just there's a weird silence over there, okay.
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And that was like so shocking to me.
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Uh my manager told me, Okay, we have some updates, whatever, for you, and then now he just stopped, and then now HR is gonna talk to you.
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I said, Okay, fine.
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Uh HR told me that today is the last day of your work day.
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Okay, you got laid off.
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Oh, I said, Oh my gosh, like, how I mean, how, why?
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You have a million different questions.
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Why me?
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I mean, did I do anything wrong?
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Like, what was the issue?
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And I got laid off basically after that corporate that six-figure big check, and then there is no then it it comes down to a zero dollar check basically to you in one day.
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So then I start looking at jobs.
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I mean, I love corporate, I learned so much from them.
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I learned how to be professional, how to uh talk to each other, how to like do planning in advance, and like I learned so much how to be agile specifically, how to change, how to be more flexible based on the needs of the customers and things.
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I love my team, I love my manager, and then one day everything is gone.
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Okay, and what do you do now?
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So I start looking at jobs and things.
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Um I mean, did some interviews and things right now?
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I I was in the IT field, as you can imagine, with the power with the impact of AI.
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The lot jobs are tough right now.
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It wasn't like what it used to be back in the days.
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And I did some interiors and things uh with with Big Corps again.
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Then what we did, okay, I uh we we start our workshops too.
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Like because I was this was my side project.
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I was kind of trying to do it on the on the weekends, and then some family friends and and things.
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Then I told myself, like, let me make a bold action here, let me open this to a public, okay, and then let me establish a good system and uh team around it.
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Uh then let's see what happens.
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So we did our first workshop, it was our very first workshop, okay.
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And we only had 10 people, only 10.
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Five of them were free.
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I called them for free because just to I I called a photographer to my workshop in Dallas, and she, if she's listening, her name is Liz, you know her too.
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So, to have like to have a content, enough content for the pictures and videos over there.
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So then the next one we called an influencer, Instagram influencer.
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You know how those like lifestyle ladies they do food, whatever activities and things.
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We called one of them, she's also in Dallas, and so we after she shared our content, we got a viral content.
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Her content got almost a million views on Instagram, and then I think she passed 500k view on views on TikTok.
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Then this was a big sign for me because I think the God or whoever okay was telling me just or pushing me into this, so it wasn't like something uh I kind of plan every single detail, I plan ever, I made a five-year plan.
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I'm gonna start from here, go from there.
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I'm a math person, I'm a corporate person, everything is planned, okay.
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Then I learn how to let it go, just let it go, go with the flow, okay?
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Basically, because there was a message coming to me.
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So in your first call in Flux Collab, you got viral.
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There is a sign right here, okay.
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Go for it.
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I told myself, let me give break to myself, okay.
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Um, Maddox was saying, sit back and then focus on this thing only, okay.
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How I can provide the best experience possible that I can generate and create.
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And what is our customer service and in profession in the business side?
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What is our marketing team looking like?
00:21:41.670 --> 00:21:43.509
So I spent a lot of time.
00:21:43.670 --> 00:21:59.110
I spent I I stop doing the interviews with B Corps and then give myself a promise for three months break till June, uh June of that year, and then things change differently.
00:21:59.269 --> 00:22:10.790
But when you focus on something enough, okay, then there will be like open doors opening for you, and you will never ever imagine something will be coming to you.
00:22:11.110 --> 00:22:13.509
Oh, I mean, like again, like you are.
00:22:13.590 --> 00:22:15.670
I think I feel like I'm blessed, okay.
00:22:15.910 --> 00:22:19.990
Things happen for a reason that you don't know of, okay, basically.
00:22:20.470 --> 00:22:23.670
Then things happen and things go.
00:22:24.150 --> 00:22:24.870
From there.
00:22:25.110 --> 00:22:29.430
Then after that, my friends, like my like close friends, they heard me.
00:22:29.509 --> 00:22:32.470
Uh they heard me that I am doing that in one city.
00:22:32.550 --> 00:22:37.830
They wanna uh open up in their city that said, I mean, I don't know this, like I don't know how to run a business.
00:22:37.910 --> 00:22:39.670
I have never run a business in my life.
00:22:39.830 --> 00:22:41.910
I don't know how to run a business operation.
00:22:42.070 --> 00:22:45.269
So if you are okay, uh we're gonna learn together, okay?
00:22:45.509 --> 00:22:47.430
But I will not let you down for sure.
00:22:47.590 --> 00:22:51.590
Whatever it's uh the thing, I'm gonna take the whole risk, entire risk.
00:22:51.750 --> 00:22:55.430
But if you would like to be part of this experience, let's go and do that stuff.
00:22:55.750 --> 00:23:00.790
Then uh after that step, we expand to multiple cities.
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I tap some friends, and then they tap me sometimes, so then we were able to become a full-scale business.
00:23:08.630 --> 00:23:13.509
But our main core is always the guest experience.
00:23:13.750 --> 00:23:28.630
So, number one thing that I want from my most of our instructors are Turkish because this is an authentic experience, uh, like Maddox, the the lines behind Maddox was saying, this is an authentic cultural experience for us.
00:23:28.790 --> 00:23:30.630
So I love American people.
00:23:30.710 --> 00:23:38.710
I mean, I would love to put those people over there, but people are coming to us here to get that Turkish Moroccan culture.
00:23:38.870 --> 00:23:43.750
That's why we serve baklava and Turkish coffee during the workshop, too.
00:23:43.990 --> 00:23:49.509
So yeah, it's a full immersive experience for everybody.
00:23:49.750 --> 00:24:00.470
So we have food, we have taste, we have different things over there, and then number one, number one thing that I want from my instructors are a big smile.