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so I decided to just do some research.
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I research schools, like especially with it, with animation, and I've stumbled upon a few options.
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And then one option popped out, a school I'd never heard of.
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It was called, uh, the rochester institute of technology.
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So I did some research and I was like, how have I never heard of the school?
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This is actually incredible.
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They have such a good program in animation.
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So I did some research and then, well then, I found out why I never heard of it.
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I, I live in texas and, uh, texas does not like to advertise schools outside of texas that much.
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Like you see ads for, like you, for ut and all and all the texas schools all the time.
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I I'm like, oh, I have never heard of RIT.
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So I apply again, not knowing what happened.
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And then months and months and months and months and months pass, and then I got a letter saying that, you know, I got accepted and again this whole light bulb went off.
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I'm like, oh great, what's happening?
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So I show this to my parents and once again they're very supportive.
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So I think it does come down to like the sheer effort I was putting into this to show that, yes, I want to do this.
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I'm getting in touch with people and I'm trying to apply for programs to better myself.
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I'd say that that did like prove to them, like because I have a drive for it.
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Hello, I'm Maddox and my co-host, Dwight, is with me today.
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This is For the Love of Creatives podcast, and today our guest is Makund Kuntamad.
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Woo-hoo, hello, welcome, makund.
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We're so glad to have you here today.
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So I guess I just want to tell the audience that the way we know you is probably.
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Maybe three or four weeks ago we were at a creative mixer here in town, the Tower Club, a beautiful space, lots of art, lots of cool people, and that's how we met Makund and we invited him, and here he is.
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That's how the magic happens, makund.
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I'm going to turn it over to you and let you introduce yourself to the audience, please yeah, so hi, my name is Makund.
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I'm a.
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I'm an artist, a 2d animator to be specific.
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Uh, yeah, so I met Maddox and Dwight at the Tower Club event.
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These guys were pretty awesome.
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They gave off like the best vibes when I met them.
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It was like super cool, and so I'm a creative.
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Like I said, 2d animator, I'm also a storyteller.
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I work on all stages of the animation pipeline, you know storyboarding, pre-production, post-production, all things like that, and overall I'd say I like to tell stories with my animation, make people laugh, make people cry, you know the whole gamut of emotions and I'd say, just taking those skills and merging things from both the past, the future and the present, you know, just tell amazing stories and awesome things overall.
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Sounds wonderful to me and we got the privilege of seeing some of his animation the night we met him and it's very unique.
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It's very unique and it was very playful and quite good.
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Yeah.
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Thanks.
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I appreciate that.
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Yeah, your sample was really engaging.
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I could have watched for hours.
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Oh well, if you wanted to watch for hours, I got so many dead, dead reels.
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But believe me, you'll be like what the hell am I watching?
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He can have plenty if he asks for it right?
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Oh yeah, Whether you want it, that's a different story.
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So I want to dive in with a question that we try to enter into each conversation a little bit differently and this may or may not apply, and it's okay for you to tell me if it doesn't apply.
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But my question is a cultural question.
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Every culture is a little bit different and I'm curious to know, culturally, your family, your friends and the people beyond, when you decided to become a creative and do what you do, was that something that, culturally, was an acceptable thing and was supported, or was that something that was frowned upon?
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Because we've certainly heard some stories where some cultures, if you know, there's a certain like thing you need to be to really be honored by that culture, and so I'm curious about your experience.
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Yeah, for sure, excuse me, my throat's acting up a little bit today.
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No problem acting up a little bit today, it's no problem.
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So, yeah, so, culturally, uh, my parents are immigrants from india.
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They came here in about the 1980s, so I'd say so, india does have like a very like rich history of like art, of art and creatives so like if you look at the ancient times and even the modern times, so much is being produced that's like so visually stunning and locate is one of the.
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It is honestly one of the.
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It is honestly one of the things that I'd say wanted me to make me be an artist at a young age, just seeing all this cool art, art from the indian subcontinent.
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I'd say like, as far as officially determining when I wanted to be a career artist, I'd say that can date back to maybe if I'm being generous maybe when I was in the eighth grade, when I was like doing like the typical you know comic strips for instead of you know doing my homework, yada, yada, yada.
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But yeah, so when I kind of expressed that towards my parents, like they never shot it down, let's say they never did shoot it down.
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They did like encourage me to do like art, but they always did kind of have this like hesitation in their minds where it's like, which is an understandable hesitation because you know artists we have it is going to lie.
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It is very, very tough, like to break out there and get noticed and overall it is the whole starving artist cliche comes from somewhere, am I right?
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So yeah, they did kind of try to push.
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You know like, okay, maybe make it a side thing and you know, maybe do something.
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You know like computer science or engineering, which actually I did, I did, I did, I actually got my first degree in computer science.
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So whether or not that was like the right thing to do, that's up for interpretation.
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Like I don't regret the computer science degree in the slightest, but I'd say there was always that hesitation where I'm like this isn't what I'm supposed to be doing in this whole degree.
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It's like I would try so hard to just like phase out what I was being heard and overall it definitely wasn't like the most enjoyable degree for me.
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Like I still got it done, don't get me wrong, but it was very much just like uh, why am I doing this?
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Overall I'm and the whole time I'm just kind of talking to my parents trying to convince them that you know, like it's a suitable career to be in animation and, again, they never did shoot it down, but it's very much like you know, the whole like passive, like try to like put this to the side.
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But overall, like I did kind of like whittle them down for lack of a better term, and like I'd say like the big breaking point I say was in 2019, when I found this program online.
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It was called don bluth university and don bluth is actually a, if you don't know, is a famous animator who worked at disney back in the gold, in the golden era, and he actually formed his own studio in the 1980s and he produced films like Land Before Time, american Tale, classics like that and I actually applied for his program.
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I didn't know what I was expecting, but I sent, I sent some side work, I did, I applied and next day I got a call from the university saying I actually got in and I'm like okay, what's going on?
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What's going on like the very next day I was like what?
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I was not expecting anything out of it, so I got the call and one thing I was terrified was I'm like what?
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I was not expecting anything out of it, so I got the call and one thing I was terrified was I'm like okay, I want to do this, but I'm still in college.
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I gotta tell my parents this how on earth am I gonna cheese this?
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So I decided you know what, you know what it's best for me to just suck it up and I go to my parents, I tell them I got into this and they were actually 100% supportive and I was like well, where, where was all of this?
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When I was younger.
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So I think there was kind of the subconscious thing, like the fact that I was so persistent about it.
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They're like okay, clearly this is what he wants to do.
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We shouldn't keep him from it.
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So so I do it.
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I do the whole program, I do great and obviously, like the whole, I've tried to explain them who don bluth is.
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All that like I just tried to do right now and I think they did.
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They did kind of like like okay, so this is an established guy.
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He took some interest in me and so I went to the program, did great in it and overall they liked it.
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And after the don bluth program, I finished in 2020s, which was obviously not the best time to finish, like we all remember, 2020, even though we don't want to, and there was supposed to be a master class at the end of it, but that got delayed indefinitely.
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Eventually it did happen in 2022, but again, lucky it happened.
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And after I finished that, it was a very much dead air.
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It was just dead air.
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I don't know what.
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What the hell was gonna go on.
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I couldn't like nobody was hiring for any jobs.
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I couldn't do anything.
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I couldn't go out and do anything.
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I was like, what am I gonna do?
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And on top of that, I'm just, you know, kind of just stuck here living with my parents seeing what's happening.
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So I was kind of looking for other options and for some reason I thought, well, why don't I just, you know, go to school again?
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So I decided to just do some research.
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I research schools, like especially with animation, and I stumbled upon a few options and then one option popped out, a school I'd never heard of.
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It was called the Rochester Institute of Technology.
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So I did some research and I was like, how have I never heard of this school?
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This is actually incredible.
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They have such a good program in animation.
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So I did some research and then, well then, I found out why I never heard of it.
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I live in Texas and Texas does not like to advertise schools outside of Texas that much.
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Like you see ads for, like UT and all the Texas schools all the time.
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I'm like, oh, I have never heard of RIT.
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So I apply again, not knowing what happened.
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And then months and months, and months, and months and months pass.
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And then I got, and then I got a letter saying that you know, I got accepted, and again this whole light bulb went off.
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I'm like, oh great, what's happening?
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So I show this to my parents and once again they're very supportive.
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So I think it does come down to like the sheer effort I was putting into this to show that, yes, I want to do this, I'm getting in touch with people and I'm trying to apply for programs to better myself.
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I'd say that that did like prove to them like because I have a drive for it, they know I'm going to make it work, and it did show them that this is, this is a viable option.
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So I'd say like, yeah, the cultural thing very much was was there, especially the stereotype you know like.
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You know you got to be an engineer, you got to be a CS guy, but at the end of the day, I don't think it matters too much there because, like, if you do want to be an artist, you should be an artist.
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Like, whether you do it for a career or not, it's just going to happen.
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Like things do just kind of will kind of happen for you that way.
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You just have to be persistent about it and you know, just keep practicing and getting better and you know if someone will notice you eventually or someone will give you the chance.
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And you just got.
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You just got to seize it.
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Well, you know, I think it's.
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It's amazing that the two things that you applied for you got snatched up, you know, with with both of them.
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That says a lot, especially the one that responded the next day.
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You know, I know you probably already know this, but we hear a lot of stories, and your story is one of the better stories when it comes to the cultural thing in family.
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We've heard some stories where the family never, ever, became supportive, never was okay with it, and we've even heard some where they said they were shunned by not only the immediate family but extended family as well, because it was like a place to shame on their family, for, you know, not being the right profession, and so I think you're really, really fortunate to have the parents that have supported you.
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Yeah, a hundred, a hundred percent.
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And then, unfortunately, I do know people who it hasn't worked out for too, unfortunately, and it what I do notice is like it really it really is sad Cause, like, again, it's the whole.
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It like is the whole cultural stereotype, you know it's, you know you gotta, you gotta do this, you gotta be this.
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One thing you have to go into into STEM, you have to do things like that.
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There's all those stereotypes.
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Again, it's like, yeah, that's one option, but guys, look at all this cultural art.
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It doesn't even matter what country it is.
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Every single country has a deep, deep, deep rooted history in the arts and the humanities and just overall, creative in general.
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It's the fact, and these stand the test of time too.
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It's like it's the fact, these and these stand the test of time too.
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It's like, if you look at, if you look at Asian countries, they have all these beautiful structures that are still standing, they have these gorgeous paintings that were made, and the fact that it's being discouraged now it's kind of disheartening because it's like, do you just want to put a stop to all of that?
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Like, did you just think?
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Like, okay, these are these because, like you know, this stuff has to, like evolve over time too right, Like more art does have to be produced.
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You can't just be satisfied with what was made Like same thing with, like science and technology, research, Like it's currently evolving, and so is art.
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So if you put a hard stop to that, then you're just not gaining anything out of that.
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So you do need to encourage creative sparks, not shut them down.
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I would love to know what you think, but here's my theory.
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I don't think we choose to be artists.
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I think that art chooses us.
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I 100% agree.
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You did not have a choice in this.
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You could deny who you were.
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You certainly had a choice to deny, but you were born to be an artist.
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I agree.
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I agree with that.
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Actually, you know, my parents actually said the same thing.
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Like they kept saying, like you know, we did try to like, push them towards other things, but they told me, like, from the day you were born, from the day you were a child, you showed artistic capabilities and presence and then you kept fighting for what you wanted.
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And then here you are are here you are today, you're animating, you're being doing exactly what you want to do.
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It's like, again, the path isn't what's important.
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The path can either be a straight line or it can literally be like a zigzag with loops.
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Uh, if you're familiar with a good place at jeremy, bear me even, but like, yeah, it's like the destination will be something, but like the path you get there, it's not the same for everybody.
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Everybody's journey is different because everyone's circumstance is different.
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Exactly, and it will be difficult.
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But what industry could you be in that?
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It wouldn't be difficult, it just would be a different kind of difficult.
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That's right.
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The starving artist thing may be a difficult thing to get seen and to get out there.
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But if you were in a corporate job, now you're dealing with a corporate machine and there's a whole set of challenges and things that are really hard.
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With that, there's nothing that we do in this life that's particularly easy.
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Exactly.
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So you just have to pick your pain, you know.
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Yeah, exactly, even with internalized within like.
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So let's narrow it down to animation in particular.
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So they say, it's true, nothing is inherently easier.
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Even if you think something is easier on the surface, it will pose more inherent challenges.
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One of the more fairly recent things I could think of is when animation did come into the 21st century.
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There was the whole like uh, so like cgi was fairly new at the time, and on the surface like, especially to like outsiders it was like oh, this is some, this is so much easier.
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It's like you don't have to draw hundreds of drawings, you just make a model, make it do stuff.
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And then there it's call it a day.
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Okay, well, great, you said take a model, make it do stuff.
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How do you make it do stuff?
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That's still animation, pal.
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It's like you're still going and acting in there.
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You're creating a performance, like, yeah, it's uh.
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It may appear easier because like it's all in a computer, but like the computer is just kind of a, it's a source, it's a, it's a thing that holds everything, it can help you with some little nitty gritties, but at the end of the day it's still.
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You're still taking that computer model and you're still making a performance out of it.
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You're just not drawing the drawings, you're just taking the puppet, the digital puppet, and you still have to create it.
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You still have to create a motion and then like it's still, it's still going to be inherently hard, it doesn't again.
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Nothing is inherently easy yeah, it's just a different um route, yeah, different path to mastery and, uh, I know that with anything that, any new skill that you acquire, there's got to be a point where you got to be good with not being great at it and get over that to actually make it to a point where you can make it sing no, yeah, don't, don't have to tell me twice about that.
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So go ahead.
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Dwight, I think it's great that you had the support of your parents, but I'm curious as to what it was like with the greater surrounding community, especially coming up and being this creative child.
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It wasn't easy, especially growing up.
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It wasn't easy especially growing up.
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So, just taking into account a lot of my peers that I interacted with in school growing up, I was obviously very, you know, I would just shelter myself off, do my drawings.
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The thing is I didn't really want to do that per se, I just kind of felt like I had to do that Because I always see the whole again, growing up I heard the stereotype, you know, you're the angsty artist who, like secludes themselves from everybody, the popular kids, all that stuff.
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But yeah, it definitely didn't do me any favors growing up Cause, you know, I was always seen as like the weird kid.
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It's like people like like my art but like again, like looking back on that art means I'm evolving but, like you know, like to take that into account, but, like you know, nobody actually wanted to interact with me per me per se because you know I was just being so weird, weird and closed off.
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But like, looking back, I think that was kind of a like a thing of circumstance in the sense that I did just kind of want to be, be different, you know, because, like a lot, of, a lot of my peers, I saw they were very much, you know, like trying to do the same things like a lot of my peers I saw.
00:17:24.945 --> 00:17:31.174
They were very much, you know, like trying to do the same things, like a lot of them were trying to do, honestly, what their parents wanted to for lack of a better term.
00:17:31.174 --> 00:17:41.583
It's like I'm not sure if they genuinely wanted to just like take the path they were doing, or it's just like their parents told them they have to take this path and that's what's happening and that's what's happening Now.
00:17:41.583 --> 00:17:42.923
Some people did genuinely enjoy them.
00:17:42.923 --> 00:17:46.626
I'm happy for them and obviously I don't know what everyone's up to now.
00:17:46.626 --> 00:17:49.710
So, for all I know, they took their own paths and you know what More power to you.
00:17:49.710 --> 00:17:50.691
That's amazing.
00:17:50.691 --> 00:18:09.038
But yeah, as a kid I just really did not want to be part of the whole cookie cutter mold thing and I'd say that at the end.
00:18:08.958 --> 00:18:09.474
Obviously I think it did work out for me.
00:18:09.474 --> 00:18:15.371
I don't really regret anything per se, but if I did have to go back and change one thing about me, I would say, just, you know, first of all I'd slap myself in the face for like okay, for that's for all the stuff you're gonna do between now and the point where I came in the future, like you'll know what I'm talking about when I see it.
00:18:15.371 --> 00:18:20.758
But I'd say like, first of all, stop closing yourself off and get out there, embrace who you are.
00:18:20.758 --> 00:18:23.741
You don't have to be what others tell you are, you know, and you know that.
00:18:23.741 --> 00:18:27.726
So embrace, it doesn't matter what everyone else is doing, just do what you want to do.
00:18:27.726 --> 00:18:33.431
And obviously, and the fact that I'm realizing that now, it really has encouraged me to go out and do what I wanted.
00:18:33.431 --> 00:18:38.555
Like I came to you guys' event right and I had a blast doing it, talking to people about art.
00:18:38.555 --> 00:18:41.257
Honestly, just a whole bunch of nerds art nerds talking about art.
00:18:41.257 --> 00:18:43.883
It was really amazing.
00:18:43.903 --> 00:18:47.327
You know, I think ownership is really important and that's what you're describing.
00:18:47.327 --> 00:18:53.505
You know people say, oh, you're not your job, and that's true.
00:18:53.505 --> 00:18:58.631
But when we're creatives it's not a job.
00:18:58.631 --> 00:19:03.804
I mean, in some regard it is, but I think it's for me.
00:19:03.804 --> 00:19:07.913
We start off having it be something that we do.
00:19:07.913 --> 00:19:25.692
You do animation, but there's a point where it becomes something you are, instead of I'm doing animation, I'm an animator, and when that ownership happens, everything shifts Universally.
00:19:25.692 --> 00:19:27.223
I mean, the universe reacts to that.
00:19:27.223 --> 00:19:38.382
I mean, do you recall you know the day that it went from me being somebody that did animation to really owning that you were an animator.
00:19:38.382 --> 00:19:39.384
Do you recall that?
00:19:41.028 --> 00:19:46.125
Um, I'd say I didn't really accept the fact that I, what I was an animator until I.
00:19:46.125 --> 00:19:53.048
I would say it wasn't until I, until I moved out of my house to go to Rochester for RIT Because I so.
00:19:53.048 --> 00:19:58.106
So I met, so I did the computer science degree, right, and then I ended off doing the Don Bluth program thing right.
00:19:58.106 --> 00:20:10.579
Even there I did see myself, like you know, I'm an animator in the sense, like you know, I'm doing all the assignments, I'm animating right.
00:20:10.579 --> 00:20:12.508
But you know, obviously I was still like, but you know, obviously I was still, like you know, very inexperienced doing, doing whatever I could there.
00:20:12.508 --> 00:20:14.183
So you know, I was just kind of treating it as very much, like you know, like a job sort of thing then.
00:20:14.141 --> 00:20:27.549
But then when I finally did move out of the house and I was very much just like on my own like, and then I had to do all these assignments from rit, it was a matter of something clicked and I'm like you know, I'm really not in, I'm not in the same room that I was in when I was 10 years old anymore.
00:20:27.549 --> 00:20:30.894
I'm like I can really just like go, go all out here.
00:20:30.894 --> 00:20:35.471
It's like when I, when I look at, look at this art, I'm like I can just like go full out.
00:20:35.471 --> 00:20:37.047
It's literally is a fresh start for me.
00:20:37.047 --> 00:20:41.242
It's like I can just like dig in my mind, I can see new experiences and just overall.
00:20:41.242 --> 00:20:44.867
And then it hit me I'm tired.
00:20:44.867 --> 00:20:49.654
I'm tired of saying I'm a guy who does art, I'm an artist, I'm an animator, like that is, that is who I am.
00:20:49.654 --> 00:20:55.605
It's like this is a part of my life, whether I'm not shutting it down anymore.
00:20:55.625 --> 00:20:57.009
Ok, so, so we're on to something here.
00:20:57.009 --> 00:21:00.123
I mean, this is what I'm digging for.
00:21:00.123 --> 00:21:02.490
So you finally came to the point where you took ownership.
00:21:02.490 --> 00:21:04.126
I am an animator.
00:21:04.126 --> 00:21:11.141
What shifted as a result of that?
00:21:11.141 --> 00:21:16.913
Was there any significant shifts in, either in internal shifts or, of course, you know, internal shifts are always followed by external shifts?