WEBVTT
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And it wasn't until I came back and visited some friends and spent some time.
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And I mean, I get back and I'm invited to three parties, and I another friend's like, come over and perform music for this contact improvisation jam.
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And oh, by the way, I've got this project I'm working on.
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Can you come help me with this?
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This even, you know, just all this, like right when I get here, all this integration of people, just you know, in this these interactions.
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And I realized how much it shifted how I felt, and it opened up all this creativity.
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I felt inspired again, you know.
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And so for me, whether or not that community is specifically integrated with what I'm what I'm working on, the fact that they exist around me serves what I'm working on because it gives me the juice, it gives me the meaning almost.
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Like I that the meaning has to be about people, the people that are important to me.
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Hopefully, a family one day as a greater community, even.
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But that is so crucial to me.
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I can't do it without it.
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And honestly, what's the point?
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Hello and welcome to another edition of For the Love of Creatives podcast.
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I am your co-host Dwight, joined by co-host Maddox.
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And today our featured guest is the wonderful Sean Patrick Mayer.
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Welcome.
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Thank you.
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Thank you.
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Great to be here.
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Great to have you, Sean Patrick.
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So just you know, for the audience's benefit, Sean Patrick and I have known each other for You're so good at this part.
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January of 17.
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Um, so it soon will be nine years that we have known each other.
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We met through an organ, a global organization called the Mankind Project, and we found quick just friendship like that, and we have kept up with each other over the years and had different forms of relationships.
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Sean Patrick coached me for a period of time, and quite wonderfully, I might add.
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And um yeah, so um it we've been leading up to this for almost nine years, and here we it only took us nine years.
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Only took us nine years.
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So let's go, let's go ahead and uh actually I'm gonna give you a moment to kind of tell the audience who you are and what you're about.
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Just just a clip notes version of you.
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Sure.
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Um, condense who I am in the infinite of what I and who I am, and in a short intro, got it.
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Okay, let's do it.
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Um I guess um, yeah.
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So my name is Sean Patrick Maher.
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I am the founder and CEO of a company called Somalive Technologies um that is focused on somatic sound therapy.
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So we're using sound waves, vibroacoustics, and uh brainwave entrainment to create experiences of healing, wellness, and transformation.
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So that's the main focus of my life um at this point.
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And that's an accumulation and kind of an amalgamation of everything that I've done previously, which is musician, um, touring musician, facilitator, coach.
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Um I've uh I was the founding member of two wellness centers, and I um co-created a music festival, and I've just done a lot of weird and interesting things.
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I think what I would sum up about sort of who I am is I guess I follow where I where my heart guides me, like where I feel called, where I want to be, what inspires me.
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And I stay pretty true to that.
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And I live sort of a gypsy life in a lot of ways.
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Um yeah, that's that's maybe like a very quick 10,000-foot view of what I'm doing in the world.
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You do live a little bit of a gypsy life.
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You have um I've lost count on the number of places that you have been for a period of time, moved to and stayed sometimes for a little while and sometimes a little longer.
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And um I I never know where you're gonna be when we jump on a zoom.
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Yeah, you want to take a guess?
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Uh I don't have a clue.
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Austin.
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Nope.
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I was in Austin last week, though.
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I am in I'm in western Massachusetts right now.
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I'm in a little cabin right by the river.
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My dear friends have this beautiful cabin here, and I'm staying in this cabin and doing some things around here.
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But funny enough, I leave in about a week for about two months of travel and experiences.
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You know what they say about lives of the rich and famous.
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I don't know what they say, and I don't know what that is.
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When I tell people that I'm moving around a lot and I'm kind of nomadic, and you're like, oh, that's so cool.
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And I'm like, wow, you just you know, it's not as glamorous as you might think, but it is, but it feels good to me.
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It's it's kind of what well, it's it's also out of necessity.
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It's kind of like just what's called of what I'm working on right now and where I need to be.
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Well, and the the the part of what you're doing right now, the company and the sound stuff.
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I mean, some of the stuff you listed off at first glance may not really sound all that creative, but I think everything that you have done has been extremely creative.
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Like in your current role, you started off creating, literally creating sound, am I right?
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Yeah, I mean, for most of my life I've been a sound, what I've always considered to be a sound artist.
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Some people would call that a musician, but I have always liked using sound as an abstract art form.
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And so the same way a painter might use abstract painting, I like approaching sound and the exploration of sound, kind of painting time with soundscapes and movements and quality and texture.
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I I think of sound in a textural kind of place.
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But yeah, I like that's kind of where it all started, and then it became an actual physical product and then a methodology and all these other things.
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Yeah, and and I don't really think musician covers it too well.
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It's sort of like, but it it just it doesn't do what you do justice.
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I don't well, and yeah, just from what you've shared, there seems to be so many other layers because you you uh stoma alive.
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I mean what you've put together is using sound as one aspect of of healing and of you know allowing the the body to be better able to do what it needs to do to to to um draw the resources it needs for more complete healing.
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Yeah, well said, absolutely.
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That's that's spot on.
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Yeah.
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Well, let's take a little memory walk back to the beginning when you were just a wee child.
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What how did creativity show up in your life?
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When did when did you kind of have this aha moment where you knew you liked to make or create things from nothing?
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It's really interesting.
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I I don't really know, to be honest.
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I I kind of had a I mean, I think any child, I think children are incredibly creative to begin with, just pretty much across the board.
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They're always so inventive and so curious and making up little worlds.
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I think I used to love playing with my little army, army G.I.
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Joe guys, the little plastic ones that are you know static, they don't move or anything.
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And I'd create these whole worlds, and then I upgraded to the ones that had it all kind of the mobility.
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And I used to create these like little storylines and these explorations of these worlds and these battles and things like that.
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So I remember doing some of that as a kid, but I I think also um I think I went through a big phase where a lot of that kind of got pressed down.
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I think I went into a space of a lot of fear, there was a lot of like kind of chaos in my upbringing.
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So the sense of safety to really like express in the fullness of the creativity that wanted to pour through, I think got kind of pressed down a little bit um within me.
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Like I chose a suppression.
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And um, and then I I think it it was really a few years later, there was always like these bits and pieces.
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I would do, I would get really into one little pathway for a little while, but I didn't really get into like creativity in a really kind of direct and robust way.
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I don't think that happened until my early 20s, probably, is when I started really.
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I remember, I remember I was doing a ton of different types of art.
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I was doing photography and painting and music and all this stuff, and I and I was doing videography and all this stuff, and I realized at some point that I didn't want to be an artist, I wanted to be a creator.
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That was that was kind of the word that came through.
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So I wanted to be a creator, and of course I didn't know what that meant.
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So so it was kind of a a process of me moving from the the natural proclivity of creativity towards you know the dip where it didn't feel real available, and maybe I did other things until it kind of resurfaced.
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And I feel like once it resurfaced, it never went away, it just changed forms.
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Sounds amazing.
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Were there any particular awakenings that you had?
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I mean, you you kind of marked your 20s as being the point where you were called back.
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Yeah.
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Was there a particular story or yeah, yeah, yeah, there's a story.
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Um, well, so to give a little context, so yeah, I had a bit of a chaotic upbringing when I was 16-year-old, my brother passed away.
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So I was in a pretty bad place within myself.
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I was didn't know how to manage that kind of grief, didn't know what to do with it.
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And I was getting really in a bad way with drugs and things like that.
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And so there were there one of the times when it really emerged was actually around the ninth, my 19th birthday.
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I had gone to California to get away from some space and some things that I was getting too far into.
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So I went to California to live with my dad for a little while.
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And while I was there, I bought a bunch of music instruments and a new mixer, mixing board, and that was when I first started producing music.
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And I still have some of those tracks, and every now and then I'll listen back and be like, it's not, I mean, oof, but it's not bad, you know, like interesting, terrible mix, but interesting.
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Um so when I came back from that, I started really performing in bands, and I had already been performing in bands a little bit, but I got really serious about it in my like around 2021.
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And you know, the thing that kind of sent me on the journey of the work that I'm doing right now happened about that time.
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And that was uh, that was a I'll share it quickly.
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It was um I was perform well, I was I was in a still in a pretty bad way.
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I was going to college at the time and I was playing in this in this band, and I lit we had a band house.
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We all lived in the house together, and the jam room, the music room, was my room.
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So I'd sleep on the floor between the kick drum and the wall.
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That was my like little, I'd roll a little pad out, sleep for the night, and then in the morning I'd roll it back up, put it in the closet, and we'd have space to make music.
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And but I was like, I was having a real rough time, and I remember this this voice effectively, this woman's voice coming through.
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And she basically said, I I kind of liken it to the voice of God, a form of God, an angel, something like that.
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And she basically just said, You're gonna heal or you're gonna die.
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You know, if you, you know, it's choice is yours, you get to do, you know, there was no judgment.
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She just said, It's up to you.
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And for whatever reason, that night I decided I would heal, not knowing what that meant.
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And it was the next day we were performing a show, and and the um the voice came back, and she said to turn around and face your amplifier during while we were playing music.
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And I did, I turned around in this one specific moment of this one specific song, and uh I felt the sound waves enter my body and churn up a lot of grief and just churn all these things forward, and then when it got to about my throat, it just burst out of me and I just burst into tears and had no idea what had happened to me.
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But I went home that night and started to try to find out, and that's when I discovered there was this whole concept of using sound as a healing modality, and so my creativity from that point on sort of took a turn towards purpose.
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The creativity was up until that point, it was just purely like kind of whatever wants to be there.
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From that point on, there was always this, it was always like through a lens of service or transformation or you know, evolving consciousness or something like that.
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And so yeah, that's that's that was like probably the biggest turning point of my life.
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And then there were some other crucial ones along the way, but that one really took me on my journey, like sent me on my journey, rather.
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Well, you're fortunate to have such an awakening moment.
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I mean, something that profound is is almost I'd say it's a modern equivalent of what we see in in uh biblical stories.
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I mean, you you got to experience your own burning bush.
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I'm I'm curious, Sean Patrick, because I I think that I I can look back now and see that my life started being service to others as early as 13, but I didn't have a language for it.
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Back then I couldn't have said, you know, oh, I'm I'm here to have impact on the planet, or I'm I'm here to, you know, I couldn't have said any of those things.
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Yeah.
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But it was it was happening just naturally, you know.
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And I'm wondering for you, was it, I mean, were you aware on that conscious level back then, or is it like me in retrospect, where you now realize, you know, you you were because that's a very young age for anybody to be focused on service to others.
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Yeah, that you're absolutely right.
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That is a very young age to do that.
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And I don't think I had the awareness of it.
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It was the I think the closest thing to that is I started having it was around that age where I started having people say things like, I really like talking to you, or you're really nice to talk to.
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Um, which is, I think, one of my creative gifts is my ability to have explorative conversation that kind of draws things out of people in a certain way.
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Um, and it just comes fairly natural to me.
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So, but it but it certainly wasn't conscious.
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I think I was too jammed up trying to find my own place.
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I think I I think I was too in the like into the shadows of my own ego trying to find its way in this life to really know to really even have a bead on the idea that that I was going to be focused more on service.
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I think that came later.
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Um, and in fact, much later.
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I think I think ultimately that didn't come until, you know, even within a few years after that kind of awakening in my early 20s.
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I must have had some little inkling though, because I was telling Dwight a story either this morning or yesterday, I don't remember which now, about helping out in the family business at age 13.
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And my dad would say, Son, you can't spend that much time with every customer.
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And I was like, But but daddy, I can't not.
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They need me.
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You know, he didn't understand.
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But they would they would they I'm 13 and they would be telling me like serious, laying serious stuff on me.
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The customers would.
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Yeah, and and I was just tuned in and listening, and so I had some kind of uh, you know, this because I because I said, Daddy, they need me.
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I knew that it was yeah.
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It was there already, it was there already for you.
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Like you had that built in.
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And I I would imagine that if somebody I would imagine maybe my mother or somebody that knew me then would probably be able to reflect something to me, but I don't think you know, part of the question was how conscious was it?
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Um and that for for me wasn't terribly conscious at the time.
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It's always fun to look back and at the things that we were present for us, but we were unconscious of.
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Absolutely.
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I mean, I I actually like the idea that our greatest gifts are so well, one of our greatest gifts generally is so simple or so second nature for us, so so even first nature for us that we don't even see how powerful it is.
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We don't we don't see it as the gift that maybe those around us see it.
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Yeah, I always think though the magical part of it is when you've been doing it unconsciously, and all of a sudden you have that aha moment and it becomes conscious, and now you're doing it with intention, and that's such a powerful and magical moment.
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You know, you've just been naturally doing it, but now all of a sudden it's like you're aware and it puts it on a whole different level in so many ways.
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I like that.
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Yeah, yeah, that's absolutely right.
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That's absolutely right.
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Yeah.
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And I've been I've been kind of doing some of that lately, trying to bring some of my work.
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When I started building a curriculum for training people how to do the processes that I do with the Z5 and the methodology, I it forced me to look really closely at every little detail and how detailed every little thing that I do in a session, and Z5 experience session is so specific and it's so oriented in a certain way in a certain framework.
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But once I started to unpack it, it's like, wow, so much to this.
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And then I come across the parts that are just so natural for me, and it's like, well, how do I teach this?
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How do I teach somebody something that I didn't learn?
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I call I had a gift and then I honed the gift, but I didn't learn the gift, if that makes any sense.
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It makes perfect sense.
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Well, and you you have an opportunity to learn it in ways that just weren't there for you because I'm I'm pretty sure that you're probably going to go through some iterations where as you cycle people through, you're going to discover all of the different ways that you may need to relate it to, you know, the way that people are wired, you know.
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Absolutely.
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Well, and and we teach what we most need to learn.
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So as you are teaching, you will I mean, I feel sometimes like I grow more than the per than the student does.
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I mean, I'm teaching and I'm getting more out of it than they are.
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Yeah.
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You know, one of the things that I I we have this conversation frequently, how I I'll be going into some type of tutorial, whether it's a video or it's a written tutorial or something that is a how-to.
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And and how I'll read it and I'll go, wow, this was written by somebody who already knew how to do it.
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And they didn't write it for people that don't know how to do it.
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They wrote it for people with who would know how to.
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And it's like that's not a conscious thing.
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They don't do that intentionally.
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But, you know, it's like being in a room of people that have a certain jargon, whether it's coaching jargon or or psychiatry, psychology jargon, or or you know, 12-step program jargon.
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And we just expect people are going to understand what we're talking about, and to them, we're talking a foreign language.
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So I guess, you know, my my input would be as you learn how to teach this, you know, look at it from that angle.
00:21:12.079 --> 00:21:16.960
Because we have a tendency to try to teach it the way we already understand it, not the way.
00:21:18.640 --> 00:21:19.839
Does that make sense?
00:21:20.160 --> 00:21:20.960
Yeah, yeah.
00:21:21.119 --> 00:21:26.480
I'm only smiling because uh I one of my greatest challenges.
00:21:26.640 --> 00:21:27.759
I say I say that.
00:21:27.839 --> 00:21:43.680
I don't know if it's totally true, but it's a story I make up is one of my greatest challenges is how to um how to share my ideas simpler, like in a simpler way, in a in a streamlined like how to market.
00:21:43.759 --> 00:21:46.880
Let's just let's just call it like let's just say it's called marketing.
00:21:47.440 --> 00:21:51.440
You know, the idea that I have this big lofty thing.
00:21:52.160 --> 00:21:59.759
And so when I talk about it, it might come off in this very specific way, but it's really hard for me.
00:21:59.839 --> 00:22:04.240
But but if I'm talking to one person, I feel like I can really convey what I'm trying to say.
00:22:04.319 --> 00:22:12.319
But when you when I'm trying to get it down into like a sound bite or something, or something simple, simplified, it's it's a little bit more tricky for me.
00:22:12.400 --> 00:22:17.519
I think I I like, well, for one thing, I do like to kind of wax poetically.
00:22:17.599 --> 00:22:22.079
I like to get kind of you know, uh whatever, whatever this is.
00:22:22.240 --> 00:22:23.519
I like to get the yes.
00:22:23.839 --> 00:22:27.519
Um yes, I would call it it's it's some kind of flowery language.
00:22:28.000 --> 00:22:29.039
Flowery, that's it.
00:22:29.200 --> 00:22:30.559
That's my favorite.
00:22:30.799 --> 00:22:31.359
I love it.
00:22:31.440 --> 00:22:34.400
My favorite books are these these books.
00:22:34.480 --> 00:22:37.440
Sorry, this is an aside, but I'm gonna say it anyway because I want to share it.
00:22:37.680 --> 00:22:50.720
Uh my favorite books right now for the last several years are books written from about 1920 to 1940, and they're like spiritual mysticism books, specifically Christian mysticism, which is very fascinating.
00:22:50.880 --> 00:22:52.559
And they're so beautiful.
00:22:52.720 --> 00:23:05.200
That not just the not it's like what they're sharing is such a beautiful approach to understanding the mysticism of spirituality, but the way it's written is just so glorious and gorgeous.
00:23:05.359 --> 00:23:08.960
You have to, you have to really like absorb it through your whole body.
00:23:09.039 --> 00:23:11.839
It's not just a mental process.
00:23:11.920 --> 00:23:12.799
And I love that.
00:23:12.960 --> 00:23:19.279
I love anything that merges kind of all my fields and I and and uh swallows me up in a certain way.
00:23:19.359 --> 00:23:30.319
And I have to, I have to really open myself to really getting the deeper energy that's kind of coming through, even if it's just words, it can be done in a way that that inspires something deeper.
00:23:30.640 --> 00:23:44.240
I'm intrigued by you being drawn to that specific period because it actually straddles two different eras in the world's history because it's squarely between the world wars.
00:23:44.480 --> 00:23:44.880
Yeah.
00:23:45.119 --> 00:23:45.359
Right.
00:23:45.440 --> 00:23:49.200
Yeah and you know, and the Great Depression in the roaring twenties.
00:23:49.440 --> 00:23:53.519
And uh yeah, that's that's interesting.
00:23:53.680 --> 00:23:56.960
We'll we'll need to vibe on that a little bit later.
00:23:57.200 --> 00:23:58.079
I'd love to.
00:23:58.160 --> 00:23:58.799
Yeah.
00:23:59.440 --> 00:24:19.839
No, one of the things that I have always really appreciated about you is that you express yourself in a manner that I don't I can't recall any man I've ever known in my life, straight or gay, any man that expresses themselves quite the way you do.