WEBVTT
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And that's when I got a mustache and some tattoos.
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And I turned down a PhD program in Russian literature to do that.
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And in that journal, the first entry was pretty much everything I just told you.
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I wrote it down 20 years ago.
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And uh I'm just obsessed with this idea of like uh art, literature especially, but all art as like a part of the real world and a part of change, like how we come together, how we can unite, how we can get shared values, you know.
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Uh, and I think that's really important.
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It's something, you know, that often feels lacking in our society today.
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You can feel really fractured, like maybe I don't have the same values as my neighbor.
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And of course, you know, there's there's all sorts of philosophies that all boil down to we gotta love thy neighbor one way or another.
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It's not just one book that says that, it's a lot of books that say that.
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And so how do you how do you find this way in when things feel so divided?
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Hello and welcome to another episode of For the Love of Creatives Podcast.
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You're uh going to be on this ride with your hosts, Dwight and Maddox, and today we are joined by the wonderful Will Evans.
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Hello, Will.
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Howdy.
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Uh it's great to be here.
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Uh so uh I know that I've had the chance to see you grace a couple of stages in town, and uh I'm really intrigued by the way that you provide a platform for uh for people that want to tell great stories, and you've done a lot of impactful work.
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But uh for uh anyone that that might be listening, they they might not know who you are and what you're about.
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So could you just uh tell a little bit about who the real Will Evans is?
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Oh, uh the real Will Evans, that's what this is about.
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Yeah, it's an honor again to be here.
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Um and it's cool you've gotten to see me speak on a couple stages in town.
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That's unique for someone in sort of my line of work.
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And it it means a lot to be able to go out to different audiences and talk about this.
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It means a lot to be here today.
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Um, so I'm Will Evans, and I founded a company in Dallas called Deep Vellum when I moved here in 2013.
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It's a literary arts nonprofit with the mission to bring the world into conversation through literature.
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And we do that by publishing books.
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Uh, but it's never just enough to publish books.
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So we also have a bookstore and we do a lot of events programming around the literary arts of reading, writing, translation, publishing, printing, zine making, print making, bookmaking, um, and hosting author events, creative writing workshops, classes, et cetera, in partnership with uh just about everyone we can imagine in Dallas, trying to go to where people are.
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And then we do a lot of literary arts advocacy, you know, talking about the value of the literary arts in our lives.
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There wasn't a uh, there was a very active literary community when I moved to Dallas, but there hadn't been some of the pieces and the key stakeholders that it takes to really build a vibrant, like business and nonprofit kind of community around uh literature in the city.
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And so we tapped into some of the great resources that the city has, namely its people, and then some of the great resources uh that still remain to be built, and we're going from there.
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And that's great work that you're doing because I I think about how so much is lost in today's world where people want just really quick um consumable content.
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You know, they they uh TikTok has has really done a lot to rot the brains of the youth.
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And I think that it's uh something that's infectious and people aren't reading anymore.
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And you're you're really kind of anchoring us back to something that is essential and human and you know, just a a real part of life that we all need.
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Absolutely.
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Uh I I will push back on the negative part of that at the beginning.
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Like, you know, in this era of TikTok and Instagram reels, and um, there's always every day there's a new article in the paper bemoaning the state of reading, you know, in town and uh or in the world that people aren't reading enough for fun, people aren't reading at all, people aren't literate, and they're all true, right?
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But at the same time, we live in an era in which people are reading more than ever, right?
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On their phones, they're reading short form content.
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Um, and they're also reading books in extraordinary numbers, right?
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But this is the kind of thing like we we provide an immersive experience.
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So if you think about it in terms of like entertainment, a book is is a very unique like technological product in that it the form of the book as we know it, right?
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I'm I'm surrounded by them in every everywhere I go.
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Um, they the product hasn't really changed in thousands, thousands of years, right?
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You put words on the page and you bind it, whether it was on papyrus or vellum, the material that like the ancient Greeks wrote on.
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Uh the reason we can read them today is because it was so durable.
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That technology is still the same.
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That's that's pretty amazing.
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So you're holding a uh a technological product that is uniquely mapped, that every language of the world, this is something I like am so I'm like, you know, a little bit of a nerd if you couldn't tell.
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And like I am obsessed with certain things.
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And one of the things I'm obsessed with is that like there are languages I don't know.
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I grew up in a monolingual household in a monolingual family in a pretty much monolingual country.
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Uh, and we, you know, neglect the world.
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America exports culture everywhere, and we don't take as much in.
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And so that was like part of the reason we did Deep Vellum.
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We published a lot of international literature.
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Um, I studied Russian literature, it's what got me obsessed with this.
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But when you look at another language, obviously you can't read it.
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And yet every language of the world puts books together the same way, whether it reads left to right, right to left, top to bottom, bottom to top, like whatever way it goes, the book is kind of a beautiful technological product.
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And when you read it, this is where it gets fascinating.
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It gets mapped to your brain.
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Like, this is what's fascinating.
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It gets mapped to your brain to go to the long-term recall part of your brain, and it activates all these flared sensors in your brain to create the imagery, to feel the feels that the characters are there for.
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Like so that the way the author is describing the experience, the feelings, the emotion, the power, and that's the same part of the brain that flares empathetic connection, the connection between humans, right?
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And and so that that pathway is uniquely linked to the written word.
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It is totally unexplainable.
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It's it's pure magic, it's pure alchemy, it's pure science, it's pure technology, and yet it's like the magic of all of like all humanity is captured in the book.
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And so when you get into it, it's different than watching a movie, it's different than reading real.
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It's different.
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And and what's crazy is when you read the same stuff on an e-book or you listen to an audiobook, and I read a lot of e-books and audiobooks.
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This is not to judge, it's just to say it doesn't flare up all the same parts of the brain.
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There's something about the the holding the object and the way that brains, human brains, map spatial recognition and we do the uh the recall towards certain things.
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Like, how many times there have been like, I remember it was on the bottom left of that page, it's mapped in your brain in a cool way, and it helps you go there.
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Um, so it's something really beautiful.
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And so for us, it's like this taking this conversation that's happening in the world, right?
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So someone's writing in Russian, or they're writing in Ukrainian, or they're writing in uh Chinese, and we're able to bring that conversation on the page so that you and I can have a conversation with each other about it, and then also with the author, right?
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And that conversation between the reader and the author is really unique.
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And what makes Deep Vellum unique in our world is that we don't just publish books.
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A lot of our people, I mean, they people just publish books.
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And these are the same people were fine with the fact that when I moved to Dallas, Texas in 2013, there was one independent bookstore in Dallas, Texas, three in all of DFW selling new books.
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Three in all of DFW serving 8 million people, right?
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Three independent bookstores selling new books.
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We did a bookstore crawl, we participated in one that was organized this past year by Katie Lemieux and her crew at Talking Animals Books in Grapevine.
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They did a bookvine, they did a bookstore crawl, and we had 31 participating stores.
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Oh, how wonderful.
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But someone was okay with the fact that in 2013 there were only three bookstores selling new books and all DFW, right?
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And none of those stores were really selling deep vellums type of books.
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And so we had to go out there and like create it.
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And so for us, it's not just enough to publish a book and sell it to people in New York and say, yeah, end of story and get nominated for prizes in New York and London and be like, yay, the job is done.
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We're here to say, man, Dwight, Maddox, have you read a Deep Vellum book?
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Actually, have you read a book?
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And if you haven't, it's not your fault.
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Right.
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Like we have to provide the invitation for people to come to literature.
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And this is where it gets really fun and passionate, man, is that like I have a nine-year-old son, he's one of the sick kids as we record this today in the house.
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But like, he's nine years old right now.
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So if you're watching this in a hundred years, my son was nine, and nine years old, they've discovered, is the age at which people stop reading for fun.
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You stop reading for fun at the age of nine, you never come back.
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It's predominantly boys who leave books forever at nine, but a lot of girls too.
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And so this is a world in which our publishing peers are totally fine with the fact that the vast majority of Americans are not reading books.
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They read them for school when they're assigned, and they don't read for fun.
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And when we talk about what we do, we're trying to bridge these two worlds.
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Our books are the kind of books that get assigned in like universities, sometimes in high schools, but mostly in universities.
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These are the kind of books that people are gonna read in 100 years.
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When someone asks, what was Dallas, Texas like in 2025?
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Someone is gonna come in one day and discover things we've been publishing.
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When they say, what was American culture up to in 2025?
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It's not in 100 years only going to be the president and what the president was up to.
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They're gonna look and see what were the weird little flares of culture happening all over the country.
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And they're gonna go, Dallas, Texas was a hotbed of literary activity.
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Who and why?
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And it's not just Deep Ellen.
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They'll be like, Deep Bell and wild detectives and terabank books, Lori Feathers and all the prizes she's a part of, the Hey Festival, the SMU Literary Festival, amazing writers, Latoya Wagon, Sandria Faye.
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And they're gonna say, what was in the water?
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And you're gonna go back to 2013 when I got here.
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And this is like my one, I I love this, but I looked around, I was like, look at all these cool things.
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Literary Dallas.
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That's what we're gonna call it.
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And it was like we gave a little term to it.
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And it's like we can all feel like we're a part of a thing, and it's true.
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And other cities in the country have amazing activity too, but you got to connect the dots between people.
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And we're trying to not just connect the dots between people who've already like opted into literature, but to invite those who have been left out.
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And so that's when we have a bookstore and we do all these events.
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We want to go to the places that people are who see themselves missing in literature, right?
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And who have felt excluded from it.
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Maybe it was a teacher who told them they didn't read right.
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Maybe it was uh a parent who said you can't read that.
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Maybe it was uh someone who called them dumb.
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Maybe it was the fact that they saw it as elitists and they didn't grow up with enough money to go buy books for fun.
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They didn't have a parent giving them gifts and didn't take them to the library.
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And so all these different pathways and say they're all, it's not your fault.
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But like if we can meet you, if we can meet you, we have the book for you and we will invite you in.
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And it may be a book we published, and maybe a book someone else published, and maybe a library book, and maybe an e-book, maybe an audio book, but whatever it is, we want to go to where you are and begin the conversation on the journey.
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And so that's like that's like the deep value mission, mantra, up vision, all kind of in one, you know?
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Well, I I wish you you had passion about what you did.
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I really know, right?
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I got I got passion and coffee.
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And those are the two things that you need going there, you know what I mean, every day.
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Gotta love it.
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I I I want to uh talk about an an adjacent technology to books that really help me to get over that hump of not falling into that trap at nine.
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And that is I I would say that the movies uh you know, at the base, it's it's really it's still a form of story.
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You know, it's uh the evolution of the medium.
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And at the risk of getting canceled, I will share with the world something that uh inspired me to stay on a track to really embrace reading and learning and books.
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I I don't remember the name of this film, but it was, if it wasn't a spaghetti western, it was heavily spaghetti western influenced.
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And so there were some negative stereotypes abounded and a lot of things that we just don't want to talk about.
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But one of the things that was uh uh had a profound impact on me was one of these tropes where there was someone that was uh uh playing a Native American that was uh having an interaction with uh one of the the white settlers.
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And the uh this uh man was trying to explain the power of writing, of uh writing a book because well, my goodness, the the Native American would have no idea, like what why is this important?
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And so they do a demonstration.
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The uh the Native American says something to the white man.
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The white man writes it down and uh then uh gives it to someone else who hadn't had an opportunity to hear, and the the person wrote down exactly what was said.
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And so for me, the the crudeness of that imagery was like, okay, I get there there is something incredibly valuable about this.
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And that that planted a scene in my uh I I don't know, ear early, maybe even uh pre um pre-grade school mind where I was like, okay, uh this is there's something here, there's something magic.
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And I it's it created a passion in it for me that makes it to where uh I have this curiosity, like and and it's only grown as I've gotten older because uh I can see that we live in a a time when there's a lot of information uh and not all of it is not all of it is good.
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But we have access to things that are far older and uh can look at things that maybe generations ahead of us, they got it right.
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They knew what was going on.
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And it's like we're uh in a lot of ways, we're getting wise to it.
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And a lot of that stuff that's from people long dead is starting to become uh something that we're hungry for again.
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And I'm kind of loving riding that wave.
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Uh I everything you just said is really beautiful.
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No one's gonna cancel you for finding your curiosity.
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Do you know what I mean?
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Like uh it's amazing.
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Uh you you brought up so many points that are so important to me, my journey, and kind of you know what this is all about, like the why.
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Like, why would DVLM start publishing books?
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Right?
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It doesn't make any sense because in this world there are already plenty of books, right?
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Why does anyone write a book today when there were great writers yesterday?
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This is a question we ask and ask, have to ask ourselves all the time.
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And when as a nonprofit, we have to go out and sort of ask for funding.
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We have to existentially define our reason to exist all the time.
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And as we do that, you know, we're often asked really intriguing questions that you just brought up in a fascinating way.
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And so something really intriguing is that curiosity.
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I love that word.
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I started teaching a couple of years ago at UT Dallas, and I now teach at SMU as well.
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I kind of go a semester on, semester off.
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And um, it has been so valuable to me personally and to the work we do at Deep Vellum, um, because it's been a really it's a chance to kind of like hone what we do.
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We're teaching courses on publishing, and I've taught a few literature courses as well.
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And it's like, how do you talk, how do you train someone to be to how do you teach publishing?
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It's not like a discipline, it's something you just do.
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And so you're teaching values and you're also teaching practices, a series of best practices, I guess you could say.
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And I like after the first semester, like every good teacher, my students taught me way more than I taught them, right?
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I'm like, yep, yep, yep, yep, yep.
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And they're like hitting me with like a response that you don't get in the real world, right?
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They're hitting me with a really nice bit of context.
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The way they see things is very different than me.
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And UT Dallas students are very unique in the world, just like from a million different backgrounds that really provide a beautiful context to the how and why we do this.
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And I was like, curiosity is by far the most important trait in this world.
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I was like, I am convinced of it after teaching.
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I was like, curiosity is more important than knowledge, curiosity is more important than wealth, it's more important than like anything, because curiosity can drive and provides a culture of value around the things that you do.
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And it's it's a great point you brought up too about there were writers of your who wrote great stories.
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Uh, some may be problematic, some may not be, but like at the end of the day, it reminds me of a quote by the great James Baldwin, right?
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One of the greatest American writers of all time, 20th century writer, African-American man, Harlem Renaissance, lived around the world.
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And he has this beautiful quote, and he talks about Dostoevsky, who means a lot to me.
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And in Baldwin's quote on Dostoevsky, he says, You think your pain and suffering is so unique in this world.
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And then you read Dostoevsky and you realize that someone has suffered in a way you've suffered before.
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And like there's someone who can provide meaning and context to it.
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And something kind of cool that happened this past year.
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The the Guardian wrote some articles on this too.
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So it's not, you can go fact check me.
00:17:40.790 --> 00:17:44.630
But um uh on TikTok, there's now what we call book talk.
00:17:44.710 --> 00:17:53.110
There are lots of reviewers of books on TikTok, and they're they're often young people who are not your traditional literary elite, right?
00:17:53.269 --> 00:17:58.310
They're not writing for the New York Times and and and The Guardian Usual, but they they get on there and they're like, I love this book.
00:17:58.470 --> 00:18:01.110
And they'll talk about a book and the sales of the book will spike.
00:18:01.350 --> 00:18:03.990
And a book by Dostoyevsky called White Knights.
00:18:04.070 --> 00:18:04.790
It's a novella.
00:18:04.870 --> 00:18:08.870
If you've never read Dostoevsky, it's by far the easiest way into Dostoevsky.
00:18:09.029 --> 00:18:13.029
I have a bunch of young people on TikTok made that a bestseller in the UK this past year.
00:18:13.190 --> 00:18:21.590
And it is like you have people of all different backgrounds who are like, How can this dead white guy understand love and pain the way that I understand it?
00:18:21.750 --> 00:18:30.470
And the fact of the matter is, you know, when you essentialize anyone, including the dead white guy, and Dostoevsky was certainly a problematic dead white guy.
00:18:30.550 --> 00:18:33.990
The thing is, he was a writer like you wouldn't believe.
00:18:34.070 --> 00:18:39.670
And he wrote a love story that'll make you cry for the rest of your life, and it's worth reading.
00:18:39.830 --> 00:18:46.710
And to understand that the complexity of who he is in his stories are what allow us to read it and touch on it at different times in our lives and things like that too.
00:18:46.870 --> 00:18:48.390
And it comes from like Kyrias, right?
00:18:48.470 --> 00:18:58.630
And so it's it's a beautiful thing because you brought up TikTok before to say that one of the cool things happening right now with TikTok to complement the literary world that like we're a part of this like analog world, right?
00:18:58.790 --> 00:19:02.550
Like we're all where books are offline, but they're also ebooks and they're audiobooks.
00:19:02.710 --> 00:19:03.670
They're very digital too.
00:19:03.830 --> 00:19:21.830
But that you could you, any you in the world, can take a book and get online now and post a review on on TikTok, YouTube, Instagram, wherever, and have as much impact on that author's life as these like legacy media of yours, right?
00:19:22.070 --> 00:19:24.870
You can do more on TikTok than Oprah's book club.
00:19:24.950 --> 00:19:28.070
You can do more on an Instagram reel than a New York Times review.
00:19:28.230 --> 00:19:32.470
And there is nothing bad about the democratization of literature, right?
00:19:32.630 --> 00:19:34.870
They may not always be recommending our books.
00:19:35.029 --> 00:19:35.830
That's fine.
00:19:36.070 --> 00:19:43.430
But like at the at the end of the day, if you are a young person and you're reading Dostoevsky for the first time, you will love every book Deep Vellum has ever published.
00:19:43.509 --> 00:19:44.390
I will tell you that right now.
00:19:44.470 --> 00:19:47.269
Like it is that is a family tree of literature.
00:19:47.430 --> 00:19:49.110
But at the same time, you may not be there yet.
00:19:49.190 --> 00:19:50.550
Well, we're gonna be here for you when you are.
00:19:50.630 --> 00:19:54.390
And if you're reading White Knights 170 years after it was published, great.
00:19:54.470 --> 00:19:57.269
There's never a wrong time to just discover a literature, right?
00:19:57.430 --> 00:20:06.630
And so, like, this is kind of interesting about books too, and about being a nonprofit publisher, means that like we're sort of like not publishing books that are supposed to be bestsellers.
00:20:06.790 --> 00:20:10.550
We're publishing the books that fall through the cracks of commercial publishing.
00:20:10.790 --> 00:20:12.710
Why do they fall through the cracks, right?
00:20:12.790 --> 00:20:23.670
They don't fit the mode or mold of commercial literature, which is often very formulaic, writers of very certain backgrounds, which is usually more class based than things like race these days, but often it has historically.
00:20:24.150 --> 00:20:30.470
Been people of color are completely left out, LGBTQ writers completely left out, writers of certain styles are left out, right?
00:20:30.550 --> 00:20:36.230
If you write a novel like Ulysses, it's probably going to come from a press like ours that's like stylistically difficult or innovative.